Only six weeks, and Sir Reginald and his family were established in the
place that had been Sir Vernon's, and the old servants waited on their
new lord, and all the mechanical routine of life went on as smoothly as
if there had been no change of masters. Ida found herself wondering which
was the reality and which the dream--the past or the present. There had
been a few days of excitement, hurry, and confusion at Les Fontaines
after the awful news of the wreck: and then Sir Reginald had come to
London with his wife and boy, and had put up at the Grosvenor Hotel while
the lawyers settled the details of his inheritance. Sir Vernon had left
no will. Everything went to the heir-at-law--pictures, plate, horses and
carriages, and those wonderful cellars of old wine which had been slowly
accumulated by Sir Reginald's father and grandfather.
Reginald Palliser passed from the pittance of a half-pay captain, eked
out by the desultory donations of his open-handed nephew, to the
possession of a fine income and a perfectly-appointed establishment.
There was nothing for him to do, no trouble of furnishing, or finding
servants. He came into his kingdom, and everything was ready for him. Yet
in this house where he was born, in which every stone was familiar to
him, how little that was mortal was left of those vanished days of his
youth! Among all these old servants there was only one who remembered the
new master's boyhood; and that was a deaf old helper in the garden, a man
who seemed past all labour except the sweeping up of dead leaves, being
himself little better than a withered leaf. This man remembered wheeling
the present baronet about the gardens in his barrow, forty years ago--his
function even then being to collect the fallen leaves--and was a little
offended with Sir Reginald for having forgotten the man and the fact.
At the Grosvenor Hotel, calm even in the dawn of his altered fortunes,
Brian Walford found his father-in-law, and told, with the pleasantest,
most plausible air, the story of Ida's clandestine marriage, slurring
over every detail that reflected on himself, and making very light of
Ida's revulsion of feeling, which he represented as a girlish whim,
rather than a woman's bitter anger against the husband who had allowed
her to marry him under a delusion as to his social status.
Public-domain text, read in full here on John Shaqi.
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