Still intent upon solving that mystery about the contents of the
wine-case, Mr. Jardine's eyes wandered about the room, trying to discover
some hiding-place which the careful had overlooked. But so far he could
see no such thing There was the tall four-poster, with its square
cornice, a ponderous mahogany frame with fluted damask stretched across
it. Could Brian have hidden his brandy up yonder, behind the mahogany
cornice? Surely not. First the damask would have bulged with the weight
of the bottles, and, secondly, the place was not accessible enough. He
must have hidden his poison in some spot where he could apply himself to
it furtively, hurriedly twenty, fifty, a hundred times in the day or
night.
Presently Mr. Jardine's glance fell on the half-open door of the
bath-room. It was a slip of a room cut off the study, a room that had
been created within the last twenty years. It was the only room which Mr.
Jardine had not inspected before he went down to breakfast.
He pushed open the door, and went in, followed by Towler, wiping the
egginess and haminess from his mouth as he went.
'You kept your eye upon this room as well as the others, I suppose,' said
Mr. Jardine, looking about him.
'Yes, sir, I have kept an eye upon everything.'
The apartment was not extensive. A large copper bath with a ponderous
mahogany case, panelled, moulded, bevelled, the elaborate workmanship
of local cabinet-makers; a row of brass hooks hung with bath towels,
which looked like surplices pendent in a vestry; a washstand in a corner,
a dressing-table and glass, with its belongings, in the window, and a
wicker arm-chair, comprised the whole extent of furniture. No
hiding-place here, one would suppose.
Mr. Jardine looked about the room thoughtfully. It was the one apartment
in which the patient could hardly be intruded upon by his attendant. Here
he could be sure of privacy.
'Did you examine the case of the bath,' he inquired presently, his
mathematical eye quick to take in the difference between the inner shell
of copper and the outer husk of mahogany.
'No, sir,' answered Towler, briskly. 'Is it 'oller?'
'Of course it's hollow. Surely your eye tells you that.'
'Yes, sir; but there's the hot-water pipes inside--and there's no getting
at it, except for a plumber.'
'Nonsense,' said Mr. Jardine, kneeling down at one end of the bath, where
there was a convenient mahogany door for the accommodation of the
plumber, a door which lay somewhat in shadow, and had escaped Towler's
observation.
'Bring me a candle,' said Mr. Jardine, unconsciously imitating the
brotherhood of plumbers, whose consumption of candles is a household
terror.
Towler returned to fetch a candle, while Mr. Jardine with cautious hand
explored the cavern-like recesses between the bath and its outer shell,
recesses in which lurked serpent-like convolutions of hot-water pipes and
cold-water pipes, waste and overflow.
Public-domain text, read in full here on John Shaqi.
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