An occasional look, or a sympathetic smile exchanged with her brother and her aunt, spoke volumes of pure affection. Once or twice the eyes of Pierre Philibert captured a glance of hers which might not have been intended for him, but which Amélie suffered him to intercept and hide away among the secret treasures of his heart. A glance of true affection--brief, it may be, as a flash of lightning--becomes, when caught by the eyes of love, a real thing, fixed and imperishable forever. A tender smile, a fond word of love's creation, contains a universe of light and life and immortality,--small things, and of little value to others, but to him or her whom they concern more precious and more prized than the treasures of Ind. Master Jean La Marche, after a few minutes' rest, made still more refreshing by a draught from a suspicious-looking flask, which, out of respect for the presence of his mistress, the Lady de Tilly, he said contained “milk,” began a popular boat-song which every voyageur in New France knew as well as his prayers, and loved to his very finger-ends. The canoe-men pricked up their ears, like troopers at the sound of a bugle, as Jean La Marche began the famous old ballad of the king's son who, with his silver gun, aimed at the beautiful black duck, and shot the white one, out of whose eyes came gold and diamonds, and out of whose mouth rained silver, while its pretty feathers, scattered to the four winds, were picked up by three fair dames, who with them made a bed both large and deep-- “For poor wayfaring men to sleep.” Master Jean's voice was clear and resonant as a church bell newly christened; and he sang the old boat-song with an energy that drew the crews of half-a-dozen other canoes into the wake of his music, all uniting in the stirring chorus: “Fringue! Fringue sur la rivière! Fringue! Fringue sur l'aviron!” The performance of Jean La Marche was highly relished by the critical boatmen, and drew from them that flattering mark of approval, so welcome to a vocalist,--an encore of the whole long ballad, from beginning to end. As the line of canoes swept up the stream, a welcome cheer occasionally greeted them from the shore, or a voice on land joined in the gay refrain. They draw nearer to Tilly, and their voices became more and more musical, their gaiety more irrepressible, for they were going home; and home to the habitans, as well as to their lady, was the world of all delights. The contagion of high spirits caught even Le Gardeur, and drew him out of himself, making him for the time forget the disappointments, resentments, and allurements of the city.