Canada -- History -- To 1763 (New France) -- Fiction; Historical fiction
That bright morning was followed by a sunny day of blue skies, warm yet
breezy. The old oaks wove a carpet of shadows, changing the pattern
of its tissue every hour upon the leaf-strewn floor of the forest.
The fresh pines shed their resinous perfume on every side in the still
shade, but out in the sunshine the birds sang merrily all day.
The groups of merrymakers spent a glorious day of pleasure by the side
of the clear, smooth lake, fishing and junketing on shore, or paddling
their birch canoes over its waters among the little islands which dotted
its surface.
Day was fast fading away into a soft twilight; the shadows which had
been drawing out longer and longer as the sun declined, lay now in all
their length, like bands stretched over the greensward. The breeze went
down with the sun, and the smooth surface of the lake lay like a sheet
of molten gold reflecting the parting glories of the day that still lit
up the western sky.
A few stars began to twinkle here and there--they were not destined to
shine brilliantly to-night, for they would ere long be eclipsed by
the splendor of the full moon, which was just at hand, rising in a
hemisphere of light, which stood like a royal pavilion on the eastern
horizon. From it in a few minutes would emerge the queen of heaven, and
mildly replace the vanishing glory of the day.
The company, after a repast under the trees, rose full of life and
merriment and rearranged themselves into little groups and couples as
chance or inclination led them. They trooped down to the beach to embark
in their canoes for a last joyous cruise round the lake and its fairy
islands, by moonlight, before returning home.
Amid a shower of lively conversation and laughter, the ladies seated
themselves in the light canoes, which danced like corks upon the water.
The gentlemen took the paddles, and, expert as Indians in the use of
them, swept out over the surface of the lake, which was now all aglow
with the bright crimson of sunset.
In the bow of one of the canoes sat the Arion of Tilly, Jean de La
Marche; a flute or two accompanied his violin, and a guitar tinkled
sweetly under the fingers of Héloise de Lotbinière. They played an old
air, while Jean led the chorus in splendid voice:
“'Nous irons sur l'eau,
Nous y prom-promener,
Nous irons jouer dans l'isle.'”
The voices of all united in the song as the canoes swept away around a
little promontory, crowned with three pine-trees, which stood up in the
blaze of the setting sun like the three children in the fiery furnace,
or the sacred bush that burned and was not consumed.
Public-domain text, read in full here on John Shaqi.
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