It was very agreeable, home was, and Edith was charming. He could distinctly feel that she was charming. But Jack was restless. He felt the need of talking with somebody about what was on his mind. If only with Major Fairfax. He would not consult the Major, but the latter was in the way of picking up all sorts of gossip, both social and Street gossip. And the Major was willing to unpack his budget. It was not very reassuring, what he had to tell; in fact, it was somewhat depressing, the general tightness and the panicky uncertainty, until, after a couple of glasses of Scotch, the financial world began to open a little and seem more hopeful. “The Hendersons are going to build,” Jack said at length, after a remark of the Major's about that famous operator. “Build? What for? They've got a palace.” “Carmen says it's for an object-lesson. To show New York millionaires how to adorn their city.” “It's like that little schemer. What does Henderson say?” “He appears to be willing. I can't get the hang of Henderson. He doesn't seem to care what his wife does. He's a cynical cuss. The other night, at dinner, in Washington, when the thing was talked over, he said: 'My dear, I don't know why you shouldn't do that as well as anything. Let's build a house of gold, as Nero did; we are in the Roman age.' Carmen looked dubious for a moment, but she said, 'You know, Rodney, that you always used to say that some time you would show New York what a house ought to be in this climate.' 'Well, go on,' and he laughed. 'I suppose lightning will not strike that sooner than anything else.'” “Seems to me,” said the Major, reflectively, reaching out his hand for the brown mug, “the way he gives that woman her head, and doesn't care what she does, he must have a contempt for her.” “I wish somebody had that sort of contempt for me,” said Jack, filling up his glass also. “But, I tell you,” he continued, “Mrs. Henderson has caught on to the new notions. Her idea is the union of all the arts. She has already got the refusal of a square 'way up-town, on the rise opposite the Park, and has been consulting architects about it. It is to be surrounded with the building, with a garden in the interior, a tropical garden, under glass in the winter. The facades are to be gorgeous and monumental. Artists and sculptors are to decorate it, inside and out. Why shouldn't there be color on the exterior, gold and painting, like the Fugger palaces in Augsburg, only on a great scale? The artists don't see any reason why there should not. It will make the city brilliant, that sort of thing, in place of our monotonous stone lanes. And it's using her wealth for the public benefit-the architects and artists all say that. Gad, I don't know but the little woman is beginning to regard herself as a public benefactor.” “She is that or nothing,” echoed the Major, warmly.