The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
Through this entry the chief preceded us (on all fours) and we crept
through after him one at a time. There were, in all, eight huts ranged
round the compound, and of these the chief assigned two to our use,
one of which we allotted to the men and the other to the two women and
the boy. The centre of the compound was occupied by a kind of kiln in
which pottery was baked, and as we entered, one of the chief’s sons
was engaged in modelling a large water pot of bluish clay, which he
did very dexterously with his fingers alone, the potter’s wheel being
unknown in this region.
Our people gathered round, as idle persons will, to look on as the
workman’s busy fingers rapidly shaped the mass of clay; and as I had
observed that my unkempt appearance had already excited unfavourable
notice and comment on the part of the villagers, I thought this a
favourable opportunity to assert my character. I therefore raised my
hand to command silence, and proceeded to moralise.
“Behold,” said I, addressing the company in general, “how the labour
of this simple workman speaketh to us admonitions to piety and good
works. For this clay that he kneadeth, which under the foot is but
mire and dirt, fouling the sandal of the traveller and making
difficult the way, when shaped by the skilful and industrious fingers,
becometh a thing of usefulness and beauty, yielding refreshment to the
thirsty and making clean the body of him that laboureth.
“And what are we, my brethren, but mire and clay, until the finger of
knowledge transformeth us and we become as holy vessels full of the
water of wisdom? For the heathen is but the dirt that is trodden under
foot, profitable to none; but when the hand of the potter hath shaped
him into the comeliness of wisdom and faith, then is he fit for good
works, fair to look upon, and profitable to all.
“Nor,” I continued, “is any so humble that he may not be made
glorious. Behold this piece of clay!” I picked up a small pellet and
held it up between my finger and thumb. “It is but a mere morsel of
dirt. Yet can it be made to speak the words of the book of God and
sing His praise without ceasing.” I took the pellet and pressed it
upon the blade of my knife until it formed a smooth flat tablet, and
on this, with the sharp point of the knife, I wrote the opening
sentence of the Koran, “Praise be to God!” and held it aloft.
Our people and the villagers who had crowded round to listen--for all
the Gonja natives understand some Hausa--stared at me in open-mouthed
wonder; and when, at the conclusion of my discourse, I flung away the
clay tablet, the entire assemblage made a wild scramble for its
possession.
“What is written on this tablet?” asked Alla Karímu, one of our
party, who had secured the treasure and was carefully licking the dust
off it.
I told him what the inscription meant.
“I thank thee, Yúsufu,” he said. “I shall roast it in the fire and
sew it up in a leather cover to wear for a laiya (amulet).”
Public-domain text, read in full here on John Shaqi.
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