The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
It was near noon, and there were few people stirring on the road,
which was moreover but a bypath leading to a neighbouring village, so
that I was no sooner fairly out of the town than I found myself in
complete solitude. I looked before and behind, and seeing that no
living being was in sight, I drew out my knife with a trembling hand
and slipped the cord of the _laiya_ from around my neck. It was sewn,
as was usual, with fine thongs of skin, but the stitching had
evidently been renewed, and that by a hand less skilful than that of
the Hausa leather-worker. With the point of my knife I cut through one
stitch after, another until three sides were unfastened and I could
lay the case open. As I did so, a mass of wadding fell out, in which
was a small paper packet which I opened with feverish haste. Inside it
was a plain gold locket, and on the paper was written in Isabel’s
handwriting:--“May God bless you and keep you and bring you safely
through all your perils. Think sometimes of us, who have you
constantly in our thoughts.”
The flutter of anticipation with which I unfastened the clasp of the
locket merged into a thrill of intense emotion as my eyes fell upon
its contents. From one side of it looked out the old-world
cavalier-like visage of Pereira; from the other the calm and lovely
face of Isabel.
I cannot describe the feelings which surged through me as I gazed at
those beautiful and beloved features. For months--long months filled
with peril and suffering that made them seem like years--I had not
looked upon the face of a European; I had not even seen my own face
since the day on which I fled from Annan. Gradually my standard of
human beauty had become accommodated to my surroundings, until
Aminé--by far the handsomest African woman I had ever seen--had come
to represent a quite satisfying type of feminine comeliness. And now
this vision of beauty burst upon me, dispelling in a moment the bias
of recent experience, and I stood, in my turban and _riga_, the same
Richard Englefield who had looked upon the setting sun as it sank in a
crimson glow behind the palms of Jella Koffi.
Public-domain text, read in full here on John Shaqi.
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