The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
I was so much engrossed by the strangeness and novelty of my
surroundings that I hardly noticed the passage of time; and I had been
drifting along near upon half an hour before I realised how great a
delay had been caused by my entering this creek. Then indeed I
suddenly became anxious, and even thought of turning back, but
reflecting that I should have to return against the current and might
possibly miss my way, I decided to push on. So I took my paddle and
struck out vigorously, covering the mirror-like surface with ripples
and shattering the reflections into a labyrinth of waving zigzags. The
canoe now slid through the tortuous tunnel at a good pace, and after
traversing a half-mile or so of devious windings, I came in sight of a
wide opening; and as my little craft shot through this out into the
light of day, I could have shouted for joy, for straight ahead was no
forest-clad bank or dingy mangrove, but an ocean-like expanse of grey
water, stretching away to the horizon and beyond.
At last I was out of the river and on the great Eyi lagoon; beyond
that grey horizon were the sand dunes of Appolonia; behind the sand
dunes was the Sea!
My exultation received a check at the outset, although not a serious
one, for I had barely emerged from the creek when I felt my paddle
strike the bottom, and a minute later the canoe ran aground. The
explanation was at once obvious: the still water of the mangrove swamp
had allowed a mud-flat to form, and the waves of the lagoon, striking
the edge of this, had enclosed it with a chain of sand-banks. No doubt
there was a passage out, but as the sand-banks were but a little way
ahead and I could see the small waves breaking on the farther side, it
would be simpler to pull the canoe over the banks and launch her into
the deep water beyond. So, taking a look round to see that no small
crocodiles were lurking in the shallows, I stepped overboard and took
hold of the painter. Relieved of my weight the canoe floated again,
and I was able to tow her forward thirty or forty yards, when she once
more took the ground. I hauled with all my strength on the painter,
but could not drag her more than a few feet, and it was clear that she
must be, at least, partly unloaded before I could pull her over the
banks; so without more ado I lifted out a couple of bunches of
manillas and ran forward with them to the nearest sand-bank, where I
laid them down.
As each instalment of the cargo was removed, the canoe floated higher
and could be drawn nearer to the sand-bank, and by the time she was
half empty I had pulled her near enough to get her on to the rollers.
To lay down the lines and set the rollers was but the work of a
minute, and I now found that on the very gentle slope I could haul her
along without further unloading.
Public-domain text, read in full here on John Shaqi.
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