The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
Some little time had elapsed since the setting of the moon had hidden
my enemies from my sight, when a faint sound from astern made me prick
up my ears. Presently it was repeated, and I now clearly distinguished
voices--probably raised in altercation, but too distant to be
intelligible. Clearly the canoe was overhauling me, and I listened
intently to try if I could make out the thud of the paddles. It was
not yet audible, and the voices had now died away; but even as I was
listening, I was startled by a new sound that broke out loud and clear
in the stillness of the dark sea--a sound that instantly revived my
drooping hopes.
It was an accordion, raucously blurting out the rollicking air of
“Finnigan’s Wake.”
I peered about me in astonishment, but the darkness around was
impenetrable, until I lifted the boom and looked out under the foot of
the sail; then my heart bounded with joy, for out of the obscurity
shone a bright red light that sent a wavering thread of reflection
along the surface of the water.
A sailing vessel was approaching me on the opposite tack and the
glimmer of her port light must have been visible for some time (for
she was quite near now) but had been hidden from me by my sail; and
but for that unmelodious instrument I might not have seen her until
she had passed out of hail.
I instantly put up my helm and sheered down towards her, and as the
light shone straight over my bows, I raised my voice in a mighty
shout.
“Oh! the ship ahoy!”
The accordion stopped abruptly and I listened for an answer, but, as
none came, I hailed again.
“Ship ahoy!”
“Hallo!” shouted a voice in return.
“Heave-to and pick us up,” I sang out.
“Who are you?” demanded the invisible speaker.
“Shipwrecked seaman!” I bellowed at the top of my voice.
“Where away?” inquired the other.
“On your port bow,” I replied; and immediately I heard the
voice--presumably that of the look-out--repeating my answer to the
officer of the watch.
In a few seconds a new voice hailed me.
“Boat ahoy!”
“Hallo!” I roared.
“I’m going to heave-to. Come alongside as sharp as you can.”
“Aye, aye, sir,” I answered, and I certainly felt no temptation to
dawdle under the circumstances.
The red light grew rapidly brighter, and soon there loomed above it in
the darkness a great shape of deeper shade, which, as I approached,
took on the definite outline of the masts and sails of a brig. She was
hove-to with the fore-topsail aback, but was moving slowly forward.
I lowered my sail and ran alongside just as a rope ladder was tumbled
over about amidships, and to the rope side of this I immediately made
fast my painter with a “fisherman’s bend” so that the canoe should not
pull adrift.
“He’s alongside, sir,” a voice reported to the officer, who
immediately sang out--
“Swing the yards and sheet home the foresail.”
There was a tramp of feet followed by the squeak of parrel and sheave,
and the flapping of canvas, and then the voice of the officer sounded
from above:
Public-domain text, read in full here on John Shaqi.
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