The slow, sleepy train (the London express never stops at Clinton)
jerked through the deep valleys, heavy with woods, golden brown at their
heart, the low hills carrying, on their horizons, white drifting clouds
that flung long grey shadows. Seymour felt suddenly as though he could
never return to London again exactly as he had returned to it before.
"That period of my life is over, quite over.... Some one is taking me
down here now--I know that I am being compelled to go. But I want to go.
I am happier than I have ever been in my life before."
Often, in Glebeshire, December days are warm and mellow like the early
days of September. It so was now; the country was wrapped in with happy
content, birds rose and hung, like telegraph wires, beyond the windows.
On a slanting brown field gulls from the sea, white and shining, were
hovering, wheeling, sinking into the soil. And yet, as he went, he was
not leaving March Square behind, but rather taking it with him. He was
taking the children too--Bim, Angelina, John, even Sarah (against her
will), and it was not her who was in charge of the party. He felt as
though, the railway carriages were full and he ought to say continually,
"Now, Bim, be quiet. Sit still and look at the picture-book I gave you.
Sarah, I shall leave you at the next station if you aren't careful," and
that she replied, giving him one of her dark sarcastic looks, "I don't
care if you do. I know how to get home all right without your help."
He wished that he hadn't brought her, and yet he couldn't help himself.
They all had to come. Then, as he looked about the empty carriage, he
laughed at himself. Only a fat farmer reading _The Glebeshire Times_.
"Marnin', sir," said the farmer. "Warm Christmas we'll be havin', I
reckon. Yes, indeed. I see the Bishop's dying--poor old soul too."
When they arrived at Clinton he caught himself turning round as though
to collect his charges; he thought that the farmer looked at him
curiously.
"Coming back again has turned my wits.... Now, Angelina, hurry up, can't
wait all day." He stopped then abruptly, to pull himself together. "Look
here, you're alone, and if you think you're not, you're mad. Remember
that you're at the Bar and not even a novelist, so that you have no
excuse."
The little platform--usually swept by all the winds of the sea, but now
as warm as a toasted bun--flooded him with memory. It was a platform
especially connected with school, with departure and return--departures
when money in one's pocket and cake in one's play-box did not compensate
for the hot pain in one's throat and the cold marble feeling of one's
legs; but when every feeling of every sort was swallowed by the great
overwhelming desire that the train would go so that one need not any
longer be agonised by the efforts of replying to Mr. Lasher's continued
last words: "Well, good-bye, my boy. A good time, both at work and
play"--the train was off.
Public-domain text, read in full here on John Shaqi.
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