It was part of Henry's unusual mind that he wondered at nothing. He
remained in constant expectation, but whatever was to come to him it
would not bring surprise with it. He was in a world where anything might
happen. In all the house his favourite room was the high, thin
drawing-room with an old gold mirror at one end of it and a piano
muffled in brown holland. The mirror caught the piano with its peaked
inquiring shape, that, in its inflection, looked so much more tremendous
and ominous than it did in plain reality. Through the mirror the piano
looked as though it might do anything, and to Henry, who knew nothing
about pianos, it was responsible for almost everything that occurred in
the house.
The windows of the room gave a fine display of the gardens, the
children, the carriages, and the distant houses, but it was when the
Square was empty that Henry liked best to gaze down into it, because
then the empty house and the empty square prepared themselves together
for some tremendous occurrence. Whenever such an interval of silence
struck across the noise and traffic of the day, it seemed that all the
world screwed itself up for the next event. "One--two--three." But the
crisis never came. The noise returned again, people laughed and shouted,
bells rang and motors screamed. Nevertheless, one day something would
surely happen.
The house was full of company, and the boy would, sometimes, have
yielded to the Fear that was never far away, had it not been for some
one whom he had known from the very beginning of everything, some one
who was as real as his mother, some one who was more powerful than
anything or any one in the house, and kinder, far, far kinder.
Often when Mrs. Slater would wonder of what her son was thinking as he
sat twisting string round and round in front of the fire, he would be
aware of his Friend in the shadow of the light, watching gravely, in the
cheerful room, having beneath his hands all the powers, good and evil,
of the house. Just as Henry pictured quite clearly to himself other
occupants of the house--some one with taloned claws behind the piano,
another with black-hooded eyes and a peaked cap in the shadows of an
upstairs passage, another brown, shrivelled and naked, who dwelt in a
cupboard in one of the empty bedrooms so, too, he could see his Friend,
vast and shadowy, with a flowing beard and eyes that were kind and
shining.
Often he had felt the pressure of his hand, had heard his reassuring
whisper in his ears, had known the touch of his lips upon his forehead.
No harm could come to him whilst his Friend was in the house--and his
Friend was always there.
He went always with his mother into the streets when she did her
shopping or simply took the air. It was natural that on these occasions,
he should be more frightened than during his hours in the house. In the
first place his Friend did not accompany him on these out-of-door
excursions, and his mother was not nearly so strong a protector as his
Friend.
Public-domain text, read in full here on John Shaqi.
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