The Golden Treasury: Of the Best Songs and Lyrical Poems in the English Language
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The Golden Treasury: Of the Best Songs and Lyrical Poems in the English Language
English poetry; Songs, English -- Texts
Life! I know not what thou art,
But know that thou and I must part;
And when, or how, or where we met
I own to me's a secret yet.
Life! we've been long together
Through pleasant and through cloudy weather;
'Tis hard to part when friends are dear--
Perhaps 'twill cost a sigh, a tear;
--Then steal away, give little warning,
Choose thine own time;
Say not Good Night,--but in some brighter clime
Bid me Good Morning.
A L. BARBAULD.
FOURTH BOOK.
SUMMARY.
It proves sufficiently the lavish wealth of our own age in Poetry, that
the pieces which, without conscious departure from the standard of
Excellence, render this Book by far the longest, were with very few
exceptions composed during the first thirty years the nineteenth
century. Exhaustive reasons can hardly be given for the strangely sudden
appearance of individual genius: but none, in the Editor's judgment, can
be less adequate than that which assigns the splendid national
achievements of our recent poetry, to an impulse from the frantic
follies and criminal wars that at the time disgraced the least
essentially civilised of our foreign neighbours. The first French
Revolution was rather, in his opinion, one result, and in itself by no
means the most important, of that far wider and greater spirit which
through enquiry and doubt, through pain and triumph, sweeps mankind
round the circles of its gradual development: and it is to this that we
must trace the literature of modern Europe. But, without more detailed
discussion on the motive causes of Scott, Wordsworth, Campbell, Keats,
and Shelley, we may observe that these Poets, with others, carried to
further perfection the later tendencies of the Century preceding, in
simplicity of narrative, reverence for human Passion and Character in
every sphere, and impassioned love of Nature:--that, whilst maintaining
on the whole the advances in art made since the Restoration, they
renewed the half-forgotten melody and depth of tone which marked the
best Elizabethan writers:--that, lastly, to what was thus inherited they
added a richness in language and a variety in metre, a force and fire in
narrative, a tenderness and bloom in feeling, an insight into the finer
passages of the Soul and the inner meanings of the landscape, a larger
and wiser Humanity,--hitherto hardly attained, and perhaps unattainable
even by predecessors of not inferior individual genius. In a word, the
Nation which, after the Greeks in their glory, has been the most gifted
of all nations for Poetry, expressed in these men the highest strength
and prodigality of its nature. They interpreted the age to itself--hence
the many phases of thought and style they present:--to sympathise with
each, fervently and impartially, without fear and without fancifulness,
is no doubtful step in the higher education of the Soul. For, as with
the Affections and the Conscience, Purity in Taste is absolutely
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