Patrice picked himself up in a fury, hurled insults at the enemy and, as
his rage increased, fired two revolver shots, which broke two of the
panes. He next attacked the doors and windows, banging at them with the
iron dog which he had taken from the fender. He hit the walls, he hit
the floor, he shook his fist at the invisible enemy who was mocking him.
But suddenly, after a few blows struck at space, he was compelled to
stop. Something like a thick veil had glided overhead. They were in the
dark.
He understood what had happened. The enemy had lowered a shutter upon
the skylight, covering it entirely.
"Patrice! Patrice!" cried Coralie, maddened by the blotting out of the
light and losing all her strength of mind. "Patrice! Where are you,
Patrice? Oh, I'm frightened! Where are you?"
They began to grope for each other, like blind people, and nothing that
had gone before seemed to them more horrible than to be lost in this
pitiless blackness.
"Patrice! Oh, Patrice! Where are you?"
Their hands touched, Coralie's poor little frozen fingers and Patrice's
hands that burned with fever, and they pressed each other and twined
together and clutched each other as though to assure themselves that
they were still living.
"Oh, don't leave me, Patrice!" Coralie implored.
"I am here," he replied. "Have no fear: they can't separate us."
"You are right," she panted, "they can't separate us. We are in our
grave."
The word was so terrible and Coralie uttered it so mournfully that a
reaction overtook Patrice.
"No! What are you talking about?" he exclaimed. "We must not despair.
There is hope of safety until the last moment."
Releasing one of his hands, he took aim with his revolver. A few faint
rays trickled through the chinks around the skylight. He fired three
times. They heard the crack of the wood-work and the chuckle of the
enemy. But the shutter must have been lined with metal, for no split
appeared.
Besides, the chinks were forthwith stopped up; and they became aware
that the enemy was engaged in the same work that he had performed around
the doors and windows. It was obviously very thorough and took a long
time in the doing. Next came another work, completing the first. The
enemy was nailing the shutter to the frame of the skylight.
It was an awful sound! Swift and light as were the taps of the hammer,
they seemed to drive deep into the brain of those who heard them. It was
their coffin that was being nailed down, their great coffin with a lid
hermetically sealed that now bore heavy upon them. There was no hope
left, not a possible chance of escape. Each tap of the hammer
strengthened their dark prison, making yet more impregnable the walls
that stood between them and the outer world and bade defiance to the
most resolute assault:
"Patrice," stammered Coralie, "I'm frightened . . . That tapping hurts
me so!" . . .
She sank back in his arms. Patrice felt tears coursing down her cheeks.
Public-domain text, read in full here on John Shaqi.
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