"The man who was known as old Siméon," continued Don Luis, "that is to
say, your father, Armand Belval, a former victim, together with
Coralie's mother, of Essarès Bey, had also reached a turning-point of
his career. He was nearly achieving his object. He had betrayed and
delivered his enemy, Essarès, into the hands of Colonel Fakhi and the
accomplices. He had succeeded in bringing you and Coralie together. He
had sent you the key of the lodge. He was justified in hoping that, in
a few days more, everything would end according to his wishes. But, next
morning, on waking, certain indications unknown to me revealed to him a
threatening danger; and he no doubt foresaw the plan which Essarès was
engaged in elaborating. And he too put himself the same question: What
was he to do? What was there for him to do? He must warn you, warn you
without delay, telephone to you at once. For time was pressing, the
danger was becoming definite. Essarès was watching and hunting down the
man whom he had chosen as his victim for the second time. You can
picture Siméon possibly feeling himself pursued and locking himself into
the library. You can picture him wondering whether he would ever be able
to telephone to you and whether you would be there. He asks for you. He
calls out to you. Essarès hammers away at the door. And your father,
gasping for breath, shouts, 'Is that you, Patrice? Have you the key?
. . . And the letter? . . . No? . . . But this is terrible! Then you
don't know' . . . And then a hoarse cry, which you hear at your end of
the wire, and incoherent noises, the sound of an altercation. And then
the lips gluing themselves to the instrument and stammering words at
random: 'Patrice, the amethyst pendant . . . Patrice, I should so much
have liked . . . Patrice, Coralie!' Then a loud scream . . . cries that
grow weaker and weaker . . . silence, and that is all. Your father is
dead, murdered. This time, Essarès Bey, who had failed before, in the
lodge, took his revenge on his old rival."
"Oh, my unhappy father!" murmured Patrice, in great distress.
"Yes, it was he. That was at nineteen minutes past seven in the morning,
as you noted. A few minutes later, eager to know and understand, you
yourself rang up; and it was Essarès who replied, with your father's
dead body at his feet."
"Oh, the scoundrel! So that this body, which we did not find and were
not able to find . . ."
"Was simply made up by Essarès, made up, disfigured, transformed into
his own likeness. That, captain, is how--and the whole mystery lies in
this--Siméon Diodokis, dead, became Essarès Bey, while Essarès Bey,
transformed into Siméon Diodokis, played the part of Siméon Diodokis."
"Yes," said Patrice, "I see, I understand."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account