"Very well," said M. Masseron. "One case in two parts. You, captain, had
better follow up the second. I grant you that nothing could be stranger
than this discovery of photographs of Mme. Essarès and yourself in the
same album and in the same pendant. It sets a problem the solution of
which will no doubt bring us very near to the truth. We shall meet again
soon, Captain Belval, I hope. And, once more, make use of me and of my
men."
He shook Patrice by the hand. Patrice held him back:
"I shall make use of you, sir, as you suggest. But is this not the time
to take the necessary precautions?"
"They are taken, captain. We are in occupation of the house."
"Yes . . . yes . . . I know; but, all the same . . . I have a sort of
presentiment that the day will not end without. . . . Remember old
Siméon's strange words. . . ."
M. Masseron began to laugh:
"Come, Captain Belval, we mustn't exaggerate things. If any enemies
remain for us to fight, they must stand in great need, for the moment,
of taking council with themselves. We'll talk about this to-morrow,
shall we, captain?"
He shook hands with Patrice again, bowed to Mme. Essarès and left the
room.
Belval had at first made a discreet movement to go out with him. He
stopped at the door and walked back again. Mme. Essarès, who seemed not
to hear him, sat motionless, bent in two, with her head turned away from
him.
"Coralie," he said.
She did not reply; and he uttered her name a second time, hoping that
again she might not answer, for her silence suddenly appeared to him to
be the one thing in the world for him to desire. That silence no longer
implied either constraint or rebellion. Coralie accepted the fact that
he was there, by her side, as a helpful friend. And Patrice no longer
thought of all the problems that harassed him, nor of the murders that
had mounted up, one after another, around them, nor of the dangers that
might still encompass them. He thought only of Coralie's yielding
gentleness.
"Don't answer, Coralie, don't say a word. It is for me to speak. I must
tell you what you do not know, the reasons that made you wish to keep me
out of this house . . . out of this house and out of your very life."
He put his hand on the back of the chair in which she was sitting; and
his hand just touched Coralie's hair.
"Coralie, you imagine that it is the shame of your life here that keeps
you away from me. You blush at having been that man's wife; and this
makes you feel troubled and anxious, as though you yourself had been
guilty. But why should you? It was not your fault. Surely you know that
I can guess the misery and hatred that must have passed between you and
him and the constraint that was brought to bear upon you, by some
machination, in order to force your consent to the marriage! No,
Coralie, there is something else; and I will tell you what it is. There
is something else. . . ."
Public-domain text, read in full here on John Shaqi.
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