In spite of themselves, however, they sought out solitude; and it was in
this way that, a fortnight after the murder of Essarès Bey, as they
passed the little door opening on the lane, they decided to go out by it
and to stroll down to the river bank. No one saw them, for both the
approach to the door and the path leading to it were hidden by a screen
of tall bushes; and M. Masseron and his men were exploring the old
green-houses, which stood at the other side of the garden, and the old
furnace and chimney which had been used for signaling.
But, when he was outside, Patrice stopped. Almost in front of him, in
the opposite wall, was an exactly similar door. He called Coralie's
attention to it, but she said:
"There is nothing astonishing about that. This wall is the boundary of
another garden which at one time belonged to the one we have just left."
"But who lives there?"
"Nobody. The little house which overlooks it and which comes before
mine, in the Rue Raynouard, is always shut up."
"Same door, same key, perhaps," Patrice murmured, half to himself.
He inserted in the lock the rusty key, which had reached him by
messenger. The lock responded.
"Well," he said, "the series of miracles is continuing. Will this one be
in our favor?"
The vegetation had been allowed to run riot in the narrow strip of
ground that faced them. However, in the middle of the exuberant grass, a
well-trodden path, which looked as if it were often used, started from
the door in the wall and rose obliquely to the single terrace, on which
stood a dilapidated lodge with closed shutters. It was built on one
floor, but was surmounted by a small lantern-shaped belvedere. It had
its own entrance in the Rue Raynouard, from which it was separated by a
yard and a very high wall. This entrance seemed to be barricaded with
boards and posts nailed together.
They walked round the house and were surprised by the sight that awaited
them on the right-hand side. The foliage had been trained into
rectangular cloisters, carefully kept, with regular arcades cut in yew-
and box-hedges. A miniature garden was laid out in this space, the very
home of silence and tranquillity. Here also were wall-flowers and
pansies and hyacinths. And four paths, coming from four corners of the
cloisters, met round a central space, where stood the five columns of a
small, open temple, rudely constructed of pebbles and unmortared
building-stones.
Under the dome of this little temple was a tombstone and, in front of
it, an old wooden praying-chair, from the bars of which hung, on the
left, an ivory crucifix and, on the right, a rosary composed of amethyst
beads in a gold filigree setting.
"Coralie, Coralie," whispered Patrice, in a voice trembling with
emotion, "who can be buried here?"
Public-domain text, read in full here on John Shaqi.
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