"What do we know about it? Do we know how Essarès met his death?
Certainly it was not Siméon who killed him, as Siméon was at the
hospital. But he may have caused him to be killed. And revenge has a
thousand ways of manifesting itself. Lastly, Siméon was most likely
obeying instructions that came from my father. There is little doubt
that he wanted first to achieve an aim which my father and your mother
had at heart: the union of our destinies, Coralie. And it was this aim
that ruled his life. It was he evidently who placed among the
knick-knacks which I collected as a child this amethyst of which the
other half formed a bead in your rosary. It was he who collected our
photographs. He lastly was our unknown friend and protector, the one who
sent me the key, accompanied by a letter which I never received,
unfortunately."
"Then, Patrice, you no longer believe that he is dead, this unknown
friend, or that you heard his dying cries?"
"I cannot say. Siméon was not necessarily acting alone. He may have had
a confidant, an assistant in the work which he undertook. Perhaps it was
this other man who died at nineteen minutes past seven. I cannot say.
Everything that happened on that ill-fated morning remains involved in
the deepest mystery. The only conviction that we are able to hold is
that for twenty years Siméon Diodokis has worked unobtrusively and
patiently on our behalf, doing his utmost to defeat the murderer, and
that Siméon Diodokis is alive. Alive, but mad!" Patrice added. "So that
we can neither thank him nor question him about the grim story which he
knows or about the dangers that threaten you."
* * * * *
Patrice resolved once more to make the attempt, though he felt sure of a
fresh disappointment. Siméon had a bedroom, next to that occupied by two
of the wounded soldiers, in the wing which formerly contained the
servants' quarters. Here Patrice found him.
He was sitting half-asleep in a chair turned towards the garden. His
pipe was in his mouth; he had allowed it to go out. The room was small,
sparsely furnished, but clean and light. Hidden from view, the best part
of the old man's life was spent here. M. Masseron had often visited the
room, in Siméon's absence, and so had Patrice, each from his own point
of view.
The only discovery worthy of note consisted of a crude diagram in
pencil, on the white wall-paper behind a chest of drawers: three lines
intersecting to form a large equilateral triangle. In the middle of this
geometrical figure were three words clumsily inscribed in adhesive
gold-leaf:
_The Golden Triangle_
There was nothing more, not another clue of any kind, to further M.
Masseron's search.
Patrice walked straight up to the old man and tapped him on the
shoulder:
"Siméon!" he said.
Public-domain text, read in full here on John Shaqi.
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