Some one walked thrice round the house. But they did not, like their
parents, recognize the sound of the footsteps. They were those of a
stranger, or else steps that had changed their tread. Then, for a few
minutes, they heard nothing more. And suddenly another sound arose; and,
though in their innermost selves they were expecting it, they were
nevertheless stupefied at hearing it. And Patrice, in a hollow voice,
laying stress upon each syllable, uttered the sentence which his father
had written twenty years before:
"It's the sound which you make when you dig the ground with a pick-ax."
Yes, It must be that. Some one was digging the ground, not in front of
the house, but on the right, near the kitchen.
And so the abominable miracle of the revived tragedy was continuing.
Here again the former act was repeated, a simple enough act in itself,
but one which became sinister because it was one of those which had
already been performed and because it was announcing and preparing the
death once before announced and prepared.
An hour passed. The work went on, paused and went on again. It was like
the sound of a spade at work in a courtyard, when the grave-digger is in
no hurry and takes a rest and then resumes his work.
Patrice and Coralie stood listening side by side, their eyes in each
other's eyes, their hands in each other's hands.
"He's stopping," whispered Patrice.
"Yes," said Coralie; "only I think . . ."
"Yes, Coralie, there's some one in the hall. . . . Oh, we need not
trouble to listen! We have only to remember. There: 'He goes to the
kitchen and digs as he did just now, but on the stones this time.' . . .
And then . . . and then . . . oh, Coralie, the same sound of broken
glass!"
It was memories mingling with the grewsome reality. The present and the
past formed but one. They foresaw events at the very instant when these
took place.
The enemy went outside again; and, forthwith, the sound seemed "to
travel up the house as though the wretch had to climb to a height in
order to carry out his plans."
And then . . . and then what would happen next? They no longer thought
of consulting the inscription on the wall, or perhaps they did not dare.
Their attention was concentrated on the invisible and sometimes
imperceptible deeds that were being accomplished against them outside,
an uninterrupted stealthy effort, a mysterious twenty-year-old plan
whereof each slightest detail was settled as by clockwork!
The enemy entered the house and they heard a rustling at the bottom of
the door, a rustling of soft things apparently being heaped or pushed
against the wood. Next came other vague noises in the two adjoining
rooms, against the walled doors, and similar noises outside, between the
stones of the windows and the open shutters. And then they heard some
one on the roof.
Public-domain text, read in full here on John Shaqi.
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