Now that I have made as clear as possible my motives and my means, there remains only, _Messieurs_, for me to submit to your judgment the translation that I have made, in eumolpique verse, of the piece of Greek poetry which comprises the doctrine of Pythagoras in seventy-one lines called, _par excellence_, Golden Verses. This piece, venerable by its antiquity and by the celebrated philosopher whose name it bears, belonging to eumolpœia, without any mixture of passion, is sufficiently known to savants so that I need not speak about what concerns its particular merit. This would mean, moreover, a matter of some explanations. At any rate, I believe it advisable before passing to this final subject, to give you certain examples of the use of my verses as applied to epopœia, so that you may judge, since they are in hands as incapable as mine, what they might become when used by men of superior genius and talent. I will choose, for this purpose, the exposition and invocation of the principal epic poems of Europe, in order to have a fixed subject for comparison. I will translate line by line, and will imitate, as well as is possible for me, the movement and harmony of the poet that I may have before me. This labour, which I hope will not be without some interest for the illustrious academicians whom I am addressing, will furnish me the occasion of showing by certain characteristic traits the genius of the language and poetry of the different modern peoples of Europe; and I will terminate thus the outline that I have sketched touching the poetic conditions of the principal nations of the earth. § VII I am beginning with the creator of epopœia, with Homer. It is easy to see by the manner in which this divine man blends, from the opening lines of the _Iliad_, the exposition and invocation, that, full of a celestial inspiration that he was the first to receive, he seeks to pour forth the superabundant fire which consumes him, and to throw into the soul of his hearer the impassioned enthusiasm which masters and controls his own. The following lines will suffice to make known the subject of a work which fills twenty-four cantos. Déesse! viens chanter la colère d’Achille, Fatale, et pour les Grecs si fertile en malheurs, Qui, d’avance, aux enfers, précipitant en foule Les âmes des héros, livra leurs corps sanglants Aux dogues affamés: ainsi Jupiter même Le voulut, quand la haine eut divisé les cœurs Du roi des rois Atride et du divin Achille. Lequel des Immortels provoqua ce courroux? Apollon irrité, qui, pour punir Atride, Ravagea son armée: et les peuples mourraient!