Women -- Great Britain; Women -- Social conditions
In the contemplation of this hope what he now sees before him in
his womankind as a whole is an intellectual plant of idle and
promiscuous growth, capable, as its rarer shoots prove, of the
sturdiest and most luxuriant upward ranging, but content for the
most part to twine itself, like the convolvulus, round the first
support offered to its tendrils, a house, a domestic affection, the
crumbling tower of antiquated beliefs, the hazily pointing sign-post
of a dubious philosophy or the hardier neighbouring weeds which are
rooted in passions and desires. From these more handy and material
supports it will not tear itself away to grow towards the sun with
lithe, independent shoots disdainfully forcing their way past all
encumbrances. The rarer instances where from choicer ground and more
livening influences this species pushes a vigorous head into the skies
serve only to accentuate the lazy lowliness of the general stock. It
seems to shrink from the light of ideas, or, where the attraction of
the light is too imperious to be resisted, it lifts a shoot gingerly
upwards only to curl a tendril lovingly round the first comfortable
fact met with in the short upward progress, and to adhere to it
gracefully, quite satisfied with the result of its exertion. Or let
us vary the illustration. Men, in their intellectual journey, can
contemplate with satisfaction at the first glance some vast mansion
of knowledge rising up before them from its solid foundations to all
the infinite variety of its higher tracery. That they cannot grasp the
whole does not trouble them, for they quickly see the stages by which
the ascent to greater knowledge will be attained. They are inspired not
bewildered by the lofty prospect, resigning themselves happily to a
study of the bare plan that will enable them to explore the beauties of
the mansion intelligently and in order. The woman, on the other hand,
is appalled by such an approach: the mansion swims before her eyes,
the plan seems a confusing maze of meaningless lines. Her introduction
must proceed on a different method. She must be led in by a side door
through some pleasant alley into one of the rooms of the mansion, all
comfortably furnished with easy chairs and pictures on the walls. Here,
if she is allowed to linger without being too hastily pushed on by the
official guide, her curiosity will be aroused. The assimilation of one
room will prompt her to a timid sally into the next one, and so by
good luck, if she is never frightened, she may in time be as much at
home as any other explorer. Yet even then it is questionable whether
she will ever venture out into the main court to gain a comprehensive
view of the whole and of its relation to the surrounding architecture.
Her domestic instinct tells her that she is more at home indoors,
attending to the things which she can touch and see. So she is content
to inhabit an _appartement_ in the palace of truth, as an invalid
Public-domain text, read in full here on John Shaqi.
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