Women -- Great Britain; Women -- Social conditions
of its complete disappearance in the future. We are coming to look on
education for girls as well as for boys as a training for a definite
end rather than as an affair of landscape gardening. Nevertheless, the
old tradition still lingers in our drawingrooms and schoolrooms. While
it is generally agreed that no boy is in any need of accomplishments
to fulfil his destiny in the world, these doubtful benefits are still
pressed indiscriminately upon boys’ sisters in the belief that there
is some value for a woman in having acquired, even against her will,
a feeble amateurishness in one or more of the arts. Only when it is
generally recognised that unless art is spontaneous, unless it is a
freely chosen medium for an honest self-expression, it is utterly
and absolutely valueless, in fact non-existent, will the standard of
artistic taste in this country begin to rise.
The tradition, at all events, has made Englishwomen great dabblers
in the arts, and they have been assisted in carrying this dabbling
beyond their schooldays by their independence which is younger than
the tradition. By this independence—for the good of our nation may
it never grow less—they go on sketching tours, set up studios in
Chelsea, invade foreign _ateliers_ unattended, trip off to foreign
_conservatoires_ free from the tethering ropes which still attach the
native pensionnaires to censorious hearths. Never was there such a
nation of woman painters and sketchers and etchers, singers, players,
music-teachers, journalists and novelists as ours. Yet, for all their
quantity, the quality which they achieve is disheartening. Why is
it? What do they lack? Is it the furious energy of concentration, is
it discontent with easy achievement, is it honesty, is it vision, is
it passion? Or is it simply that, except in rare instances, they are
weak, birds of short flight who cannot sustain the upward sweep of more
powerful masculine pinions? The attainments of a few exceptional women
artists go a little way to atone for the shortcomings of the multitude.
Here, at least, there is room for progress on the part of Englishwomen
during the remainder of the century. Let them throw off the last
remnant of hampering tradition and use their increasing independence to
better purpose.
Public-domain text, read in full here on John Shaqi.
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