Women -- Great Britain; Women -- Social conditions
However this may be, Balzac’s train of thought does not apply to
England. His reflection would not have occurred to an English novelist,
or, if it had, it would have been thrown off easily as an obvious,
not particularly pregnant, fact, without the wealth of suggestion in
the antithesis of “female” and “woman” which is implied in Balzac’s
sentence. The Englishman would be more apt to give the reflection
another turn, to say: “Nature made woman and woman makes society,”
leaving sharp the opposition between nature and society but blurring
that between the natural and the social woman, with the idea that the
two are too closely interwoven to be usefully disconnected. And that is
the English point of view. Woman in England has never been a mystery,
an intricate engine with simple aims and complicated methods, of a
different order from man with his complex aims and simpler methods. The
texture of English life is, and has always been, compounded of both as
the warp and the woof—the more active man passing rapidly between the
more stable feminine strands which keep his thread in place. Though
this interconnection has become more obvious latterly with the complete
disappearance of feudal and patriarchal traditions, earlier literature
bears abundant witness to it. The Canterbury Tales are significant
enough in this respect. In spite of occasional romanticism in the tales
themselves, we have no hedged divinities in the band of pilgrims: the
nun, the prioress and the wife of Bath all take their places naturally
in the cavalcade, and the poet insists as little on the special claims
of their femininity as he pays deference to their modesty. And where is
the mystery in Viola, Sylvia, Beatrice or Rosalind? They are palpably
of the same stuff as their lovers, and only distinguished by greater
sanity from their fools. If there be any point in mystery, it is
men, with weird compounds of good and evil in their souls, who were
Shakespeare’s mysteries. But, so far as social relations are concerned
in Shakespeare, as in England generally, men and women are part of the
same homespun which covers all the issues of life in this country.
I see no reason to doubt that it will continue to do so: even the
apparently strong antagonisms of recent years, when loud exclamations
were heard against a “man-made” world, made little difference to the
even textile process of ordinary social life, and now, since the
political enfranchisement of women, are but very feeble ghosts.
Public-domain text, read in full here on John Shaqi.
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