Church of England -- Sermons; Sermons, English -- 19th century
Music.—There is something very wonderful in music. Words are wonderful
enough: but music is even more wonderful. It speaks not to our thoughts
as words do: it speaks straight to our hearts and spirits, to the very
core and root of our souls. Music soothes us, stirs us up; it puts noble
feelings into us; it melts us to tears, we know not how:—it is a language
by itself, just as perfect, in its way, as speech, as words; just as
divine, just as blessed.
Music has been called the speech of angels; I will go further, and call
it the speech of God himself—and I will, with God’s help, show you a
little what I mean this Christmas day.
Music, I say, without words, is wonderful and blessed; one of God’s best
gifts to men. But in singing you have both the wonders together, music
and words. Singing speaks at once to the head and to the heart, to our
understanding and to our feelings; and therefore, perhaps, the most
beautiful way in which the reasonable soul of man can show itself
(except, of course, doing _right_, which always is, and always will be,
the most beautiful thing) is singing.
Now, why do we all enjoy music? Because it sounds sweet. But _why_ does
it sound sweet?
That is a mystery known only to God.
Two things I may make you understand—two things which help to make
music—melody and harmony. Now, as most of you know, there is melody in
music when the different sounds of the same tune follow each other, so as
to give us pleasure; there is harmony in music when different sounds,
instead of following each other, come at the same time, so as to give us
pleasure.
But why do they please us? and what is more, why do they please angels?
and more still, why do they please God? Why is there music in heaven?
Consider St. John’s visions in the Revelations. Why did St. John hear
therein harpers with their harps, and the mystic beasts, and the elders,
singing a new song to God and to the Lamb; and the voices of many angels
round about them, whose number was ten thousand times ten thousand?
In this is a great mystery. I will try to explain what little of it I
seem to see.
First—There is music in heaven, because in music there is no self-will.
Music goes on certain laws and rules. Man did not make those laws of
music; he has only found them out: and if he be self-willed and break
them, there is an end of his music instantly; all he brings out is
discord and ugly sounds. The greatest musician in the world is as much
bound by those laws as the learner in the school; and the greatest
musician is the one who, instead of fancying that, because he is clever,
he may throw aside the laws of music, knows the laws of music best, and
observes them most reverently. And therefore it was that the old Greeks,
the wisest of all the heathens, made a point of teaching their children
_music_; because, they said, it taught them not to be self-willed and
fanciful, but to see the beauty of order, the usefulness of rule, the
divineness of law.
Public-domain text, read in full here on John Shaqi.
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