Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Daniel walked over to the table, took the newspaper wrapping from the
mask, and held it up in the light of the lamp.
“How beautiful!” exclaimed Gertrude, whose senses were now delighted at
the sight of any object that appealed to one’s feelings.
“Well, take it, then, Gertrude,” said Eleanore, as she leaned both
elbows on the top of the table. “Keep it with you,” she continued
somewhat tensely, when she noticed that Gertrude was looking at Daniel
as if to say, “May I?”
“But won’t he give it to both of us?” replied Gertrude with a covetous
smile.
“No, no, he simply mentioned me for courtesy’s sake,” said Eleanore,
quite positively.
“Eleanore, I can scarcely tell you how I feel toward you,” said Daniel,
half confused, half angry, and then stopped with conspicuous suddenness
when the fiery blue of her eyes fell upon him.
“You?” she whispered in astonishment, “you?”
“Yes, you,” he replied emphatically. “Later I can tell everybody; to-day
it is true in a double sense: you seem to me just like a sister.”
He had laid the mask to one side and extended his left hand to Eleanore,
and then, hesitating at first, he gave Gertrude his right hand with a
most decisive gesture.
Eleanore straightened up, took the mask of Zingarella, and held it up
before her face. “Little Brother,” she cried out in a teasing tone. The
pale, sweet stone face was wonderful to behold, as it was raised above
the body that was pulsing with life.
And Gertrude—for one second she hung on Daniel’s gaze, a sigh as deep
as the murmuring of the sea sounded in her bosom, and then she lay in
his arms. He kissed her without saying a word. His face was gloomy, his
brow wrinkled.
“Little Brother” sounded out from behind the mask. But there was no
banter in the expression; it was much more like a complaint, a
revelation of anguish: “Little Brother!”
IV
Daniel had left the city long ago. Eleanore chanced to meet Herr
Carovius. He forced her to stop, conducted himself in such a familiar
way, and talked in such a loud voice that the passersby simpered. He
asked all about the young master, meaning Daniel.
He told her that “the good Eberhard”—it was his way of referring to
Baron von Auffenberg—had gone to Munich for a few months, and was
taking up with spiritists and theosophists.
“It is his way of having a fling,” said Herr Carovius, grinning from ear
to ear. “In former times, when young noblemen wished to complete their
education and have a little lark at the same time, they made the grand
tour over Europe. Now-a-days they become penny-a-liners, or they go in
for table-tipping. Humanity is on the decline, my charming little girl.
To study the flower of the nation at close range is no longer an
edifying occupation. It is rotten, as rotten, I tell you, as last
winter’s apples. There is consequently no greater pleasure than to make
such a young chap dance. You play, he dances; you whistle, he retrieves.
It is a real treat!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account