Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
As they crossed Ægydius Place he cast a glance of unbounded hatred at
the house in which Daniel and Gertrude lived. But he did not say
anything; he merely pinched his lips and hung his head. In so doing he
noticed the grease spot on his coat, and emitted a vexed growl. “I will
go along with you, Herr Apothecary, and get a bottle of benzine,” he
said, turning to his companion. In his voice there was a noticeable
trace of that reluctant and unwilling humility which the poor display in
the presence of the rich.
“Good, good,” he said, “come right along.” He blew the air before him;
for he was warm. “Greetings, greetings,” he exclaimed, and waved his
hand, “what are you doing here?”
It was Herr Carovius to whom he spoke. Herr Carovius was just then
standing by the fountain of the Goose Man, rapt in the sort of
reflection that was peculiar to him.
“At your service, gentlemen,” he said.
“I see there are natives who study our native art,” remarked the
apothecary with an ironical smile, and stopped. Jason Philip likewise
stopped, and looked in a dazed, distraught way at the bronze man with
the two geese. Some boys were playing ball close by the fountain. When
they saw the three men looking at it, they quit playing, came up, and
looked at the fountain and the men and grinned as if there were
something new to be seen.
“We have no idea what riches we possess,” said Herr Carovius.
“Quite right, quite right,” nodded the apothecary.
“I have just been trying to think what meaning this group may have,”
continued Herr Carovius, “there is undeniably a musical motif in it.”
“A musical motif?” murmured Jason Philip, to whom the very term music
conveyed the idea of something unpleasant.
“Yes, but you have got to understand it,” said Herr Carovius rather
jauntily. With that he seized the ear of a small boy who had ventured
right up to his trousers’ legs; the boy screamed.
After casting an angry look at the monument, Jason Philip broke out in
sudden and hearty laughter. “Now I understand,” he stammered as he
coughed, “you are a fox, a sly old dodger.”
“What do you mean, gentlemen?” asked the apothecary, who had become
somewhat anxious, for he feared that this outburst of hilarity was
directed at him.
“Why, don’t you see? Don’t you understand?” panted Jason Philip with a
scarlet red face, “the two geese—? The musical motif and the two
geese—? Isn’t it clear yet?”
It was clear to Herr Carovius. He stuck the index finger of his right
hand in the air, and broke out in a neighing sort of laughter. Then he
took the apothecary by the arm, and in the pauses between salvos of
laughter he bleated: “Magnificent!—Under each arm a goose!—Priceless!
Say, Herr Schimmelweis, that was good. We will allow you one on that.”
The connection was now clear to the apothecary. He slapped himself on
his hips and cried: “As sure as there is a devil, that’s the best joke I
ever heard in my life.”
Public-domain text, read in full here on John Shaqi.
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