Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Eleanore left the kitchen and went upstairs. Her heart was full of
longing; it was in truth almost bursting with longing.
XI
It was at the beginning of October that Daniel for the first time
visited Eberhard in his doll house up by the castle.
They had met each other in the Peter Vischer on the evening agreed upon,
but there was a special party there that evening, a sort of a clam-bake;
the place was crowded; the noise was disagreeable, so that they left
much earlier than they had intended.
They walked along in silence until they reached the Town Hall, when
Eberhard said: “Won’t you come up and sit awhile with me?” Daniel
nodded.
Eberhard lighted the six candles of a chandelier in his diminutive room.
Seeing that Daniel was surprised, he said: “There is nothing I hate
worse than gas or oil. That is light; gas and oil merely give off
illuminated stench.”
For a while there was complete silence in the room; Daniel had stretched
out on the sofa.
“Illuminated stench,” he repeated with a smile of satisfaction. “That is
not bad; it is the new age in which we are living. I believe they call
it _fin de siècle_. The day when things flourish is gone; everything has
to be manufactured now. Men have become Americans, gruesomely sobered by
the intoxication of doing a big business; women have lost their nicety
of instinct; the cities have become colossal steam engines; everybody,
young and old, is on his belly adoring the so-called wonders of science,
just as if it really meant anything to humanity that a loafer in Paris
can sip his morning coffee and crunch his rolls while reading that the
Pope spent a restful night, or that a gun has been invented which will
send a bullet through fourteen people one after another, whereas the
best record up to the present had been only seven to a shot. Who can
create anything, who can draw anything from his soul under such
conditions? It is madness, it is immoral discipline.”
“Oh, I don’t know; I think a man can draw something from within his
soul,” said the Baron, in whose face a bored, peeved expression gave way
to one of suspense. “It is possible, for example, to conjure the
invisible spirit into visibility.”
Daniel, who had not yet suspected that the Baron was, in a way, speaking
from another country and in a strange tongue, continued: “The whole
supply of interest and enthusiasm at the disposal of the nation has been
used up. The venerable creations of days gone by still have nominal
value; that is, they are still gaped at and praised, but creative,
reproductive, and moulding power they no longer have. Otherwise
hocus-pocus alone prospers, and he who does forgive it is not forgiven.
But life is short; I feel it every day; and if you do not attend to the
plant, it soon withers and dies.”
Public-domain text, read in full here on John Shaqi.
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