Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
It was impossible to notice any change in Eleanore; her eyes were
bright; she seemed peaceful. She would often sit before the mask of
Zingarella; she hung it with fresh flowers every day: to her the mask
was a mysterious picture of all that her own being, her own life,
embraced.
Marian Nothafft came to the wedding alone. Just as in the case of
Daniel’s wedding to Gertrude, she had left the child with a neighbour.
She told Daniel and Eleanore that she could not think of taking the
child out on such a journey in the dead of winter. She mentioned Eva’s
name or talked about her only in a half audible, subdued voice, a tender
smile playing gently about her lips.
Among those present at the wedding in the Ægydius Church were Judge and
Frau Rübsam, Councillor Bock, Impresario Dörmaul, Philippina
Schimmelweis, Marian Nothafft, and Inspector Jordan. On the very last
bench sat Herr Carovius; underneath one of the pillars, unseen by most
of the people in the church, stood Baron Eberhard von Auffenberg.
Philippina walked along in an ugly, crouched, cowering fashion by the
side of Jordan; had it not been that she was constantly chewing her
finger nails, one would have thought she was asleep.
As the bridal couple was marching up to the altar, the sun broke out,
and shone through the windows of the old church. The effect was
touching; for just then Eleanore raised her head, stroked her veil back
from her forehead, and caught the full light of the sun in her radiant
face.
Old Jordan had laid his forehead on the prayer-desk; his back was
quivering.
XIV
Late at night and in senseless excitement—for he was thinking of a
bridal bed that filled him with the most intense pangs of jealousy—Herr
Carovius sat in his room playing Chopin’s _étude_ of the revolution. He
would begin it again and again; he struck the keys with ever-increasing
violence; the time in which he played the _étude_ became wilder and
wilder; the swing of his gestures became more and more eloquent; and his
face became more and more threatening.
He was squaring accounts with the woman he had been unable to bring
before his Neronic tribunal in bodily form; and all the pent-up hatred
in his heart for the musician Nothafft he was emptying into the music of
another man. The envy of the man doomed to limit his display of talent
to the appreciation of what another had created laid violent hands on
the creator; the impotence of the taster was infuriated at the cook. It
was as if a flunked and floored comedian had gone out into the woods to
declaim his part with nothing but the echo of his own voice to answer
back.
Public-domain text, read in full here on John Shaqi.
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