Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
A little later Philippina heard some one stumbling around in the hall,
and then the bell rang. “Open the door,” she said to Agnes, who did as
she was told and returned with Benjamin Dorn. The Methodist wore a black
suit, and in his hand he had a black felt hat that was as flat as a
pancake. He bowed to Philippina, and asked if he was disturbing any one.
Philippina pushed a chair over to him. He sat down quite
circumstantially, and laughed a hollow laugh. As Philippina was as
silent as the tomb and looked at him so tensely, he began to speak.
First he expatiated on the general advantages of a married life, and
then remarked that what he personally wished first of all was to be able
to take a good, true woman into his own life as his wife. He said that
he had gone through a long struggle over the matter, but God had finally
shown him the light and pointed the way. He no longer hesitated, after
this illumination from above, to offer Fräulein Schimmelweis his heart
and his hand forever and a day, insist though he must that she give the
matter due consideration, in the proper Christian spirit, before taking
the all-important step.
Philippina was restless; she rocked back and forth, first on one foot
and then on another—and then burst out laughing. She bent over and
laughed violently. “No, you poor simpleton, what you want is my money,
hey? Be honest! Out with it! You want my money, don’t you?”
Her anger grew as Benjamin Dorn sat and looked on, his asinine
embarrassment increasing with each second of silence. “Listen! You’d
like to git your fingers on it, wouldn’t you? Money—it would taste
good, wouldn’t it? You think I’m crazy? Scrape a few coppers together
and lose my mind and marry some poor fool, and let him loaf around and
live on me. Nothing doin’! They ain’t no man livin’ what can catch
Philippina Schimmelweis so easy as all that. She knows a thing or two
about men, she does. D’ye hear me! Get out!” She sawed the air with her
arms like a mad woman, and showed him the door.
Benjamin Dorn rose to his feet, stuttered something unintelligible,
moved backwards toward the door, reached it, and left the place with
such pronounced speed that Philippina once again broke out in a shrill,
piercing laughter. “Come here, Agnes,” she said, sat down on the step in
the corner, and took the child on her lap.
She was silent for a long while; the child was afraid to speak. Both
looked at the lights on the Christmas tree. “Let us sing something,”
said Philippina. She began with a hoarse, bass voice, “Stille Nacht,
heilige Nacht,” and Agnes joined in with her high, spiritless notes.
Another pause followed after they had finished singing.
“Where is my father?” asked Agnes suddenly, without looking at
Philippina. It sounded as if she had waited for years for an opportunity
to ask this question.
Public-domain text, read in full here on John Shaqi.
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