This was followed by a procession of cooks arriving in state in
various motor cars and carrying covered trays and vacuum bottles and
departing in high spirits at the early close of their day's work.
Then the procession of subdued husbands would follow, and conglomerate
menus would be spread on a series of tea tables throughout the rooms,
with Sezanne smoking her small amber-stemmed pipe and describing her
sojourn in a Turkish harem while Gay picked minor chords on his
ukulele. After a later diversion of nickel dance halls and slumming
the young matrons would say good-bye, preparing to sleep until noon,
quite convinced that any one would have called it a day.
Such a party greeted Steve, with Gay showing plans for Beatrice's
secret room with a sliding panel--clever idea, splendid when they
would be playing hide and seek--and the cooks en route with the
kettles and bottles of wine and the husbands meekly arriving in sulky
silence.
A little before two in the morning Steve escorted Aunt Belle back to
the Constantine house.
Beatrice had started to go to bed, but thinking of something she
wished to ask Steve she stationed herself in his room, some candy near
at hand and Sezanne's manuscript as solace until he should arrive.
"I wanted to ask you if Mary Faithful has returned," she said,
throwing down the manuscript as he came in. "Heavens, don't look like
a thundercloud! You used to complain about getting into evening dress
for dinner; and now when they are as informal as a church supper you
row even more. How was papa? Did you go in to see him? Does the house
look terrible?"
"Of course I didn't see your father at two in the morning; he was
asleep. Your aunt fell into a bucket of plaster."
"Plaster! Why did the men leave it where she could fall into it? Did
it hurt her dress?"
"No, just her bones." Steve laughed in spite of himself. "The dress
hadn't started to begin where the bones hit the bucket."
Beatrice giggled. "Aunt Belle will try to look like a Kate Greenaway
creation. And isn't Jill stout? I'd eat stones before I'd get like
her. Well, what about the Faithful woman?"
"Why such a title? It was always Mary Faithful, and even Mary."
"I don't know--but ever since I worked with you this summer I've
realized what an easy time she has. She isn't burdened with friends
and social duties. It's all so clearcut and straight-ahead sailing for
her. I suppose she laughs at her day's work."
"She has returned."
"Then we can go to the Berkshires. Sezanne knows an artist and some
people from Chicago who are ripping company and they are going to
visit her cousin at Great Barrington and we are all invited
there----"
Public-domain text, read in full here on John Shaqi.
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