47 And he was teaching daily in the temple. But the chief priests and the scribes and the principal men of the people sought to destroy him: 48 and they could not find what they might do; for the people all hung upon him, listening. The story of Luke is never lacking in human interest, but no scene is more suffused with sentiment, none more vivid with color, than that which pictures Jesus entering Jerusalem in triumph. We see our Lord mounted as a king, surrounded by acclaiming multitudes, sweeping over the brow of Olivet, while his attendant disciples spread their garments in the way and hail him as the Messiah. We see him lamenting over the doomed city and hear the harsh tones of the rulers who are plotting his death. With all these shouts of joy and sobs of grief and mutterings of malice, surely no scene is so full of emotion and none can illustrate more strikingly the relation between religious feeling and religious faith. An appeal to the eye and ear and heart may awaken sentiment and prepare the way for the surrender of the will. There is to-day a proper place for music and architecture and eloquence as aids to devotion. In the case of the triumphal entry, Jesus planned every detail. He sent two disciples to secure the colt on which he was to ride; he allowed the disciples to place on the colt their garments, and as he rode toward the city he accepted the acclamations of the crowd. When the Pharisees criticized Jesus for permitting such praise and arousing such excitement, he declared that such homage to himself was not only proper but necessary, and that if the multitudes were silenced the very stones would “cry out” to welcome and to honor him. Jesus was offering himself as King for the last time, and therefore his offer was to be made in the most impressive way. He appealed to the imagination. He stirred the emotions. He did not mean that he was to be such a king as the people supposed; the borrowed colt, the garments of peasants, the banners of leafy branches were not to be the permanent furnishings of a court. He wished to secure the submission of their wills, the complete surrender of their lives, and therefore he made this stirring, dramatic, emotional appeal to the multitudes. He knew that religious feeling is an aid to religious faith.