'Yes, isn't it?' said Little Sampson. 'If he had died yesterday, I
shouldn't have minded it so much, while to-morrow would have given us
a clear week. He hasn't even been ill,' he grumbled. 'I've had to send
Pinchas to the Museum in a deuce of a hurry, to find out about his
early life. I'm awfully upset about it, and what makes it worse is a
wire from Goldsmith, ordering a page obituary at least with black
rules, besides a leader. It's simply sickening. The proofs are awful
enough as it is--my blessed editor has been writing four columns of
his autobiography in his most original English, and he wants to leave
out all the news pars to make room for 'em. In one way Gideon's death
is a boon; even Pinchas'll see his stuff must be crowded out. It's
frightful having to edit your editor. Why wasn't he made sub?'
'That would have been just as trying for you,' said Raphael, with a
melancholy smile. He took up a galley-proof and began to correct it.
To his surprise he came upon his own paragraph about Strelitski's
resignation: it caused him fresh emotion. This great spiritual crisis
had quite slipped his memory, so egoistic are the best of us at times.
'Please be careful that Pinchas's autobiography does not crowd that
out,' he said.
Pinchas arrived late, when Little Sampson was almost in despair. 'It
is all right,' he shouted, waving a roll of manuscript. 'I have him
from the cradle--the stupid stockbroker, the Man-of-the-Earth, who
sent me back my poesie, and vould not let me teach his boy Judaism.
And vhile I had the inspiration I wrote the leader also in the
Museum--it is here--oh, vairy beaudiful! Listen to the first sentence.
"The Angel of Death has passed again over Judea; he has flown off with
our visest and our best, but the black shadow of his ving vill long
rest upon the House of Israel!" And the end is vordy of the beginning.
"He is dead; but he lives for ever enshrined in the noble tribute to
his genius in _Metatoron's Flames_."'
Little Sampson seized the 'copy' and darted with it to the
composing-room, where Raphael was busy giving directions. By his
joyful face Raphael saw the crisis was over. Little Sampson handed the
manuscript to the foreman, then, drawing a deep breath of relief, he
began to hum a sprightly march.
'I say, you're a nice chap!' he grumbled, cutting himself short with a
staccato that was not in the music.
'What have I done?' asked Raphael.
'Done? You've got me into a nice mess. The guvnor--the new guvnor; the
old guvnor, it seems--called the other day to fix things with me and
Pinchas. He asked me if I was satisfied to go on at the same screw. I
said he might make it two pound ten. "What, more than double?" says
he. "No, only nine shillings extra," says I, "and for that I'll throw
in some foreign telegrams the late editor never cared for." And then
it came out that he only knew of a sovereign, and fancied I was trying
it on.'
'Oh, I'm so sorry,' said Raphael, in deep scarlet distress.
Public-domain text, read in full here on John Shaqi.
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