The Grandeur That Was Rome: a survey of Roman culture and civilisationStobart, J. C. (John Clarke)
History
The Grandeur That Was Rome: a survey of Roman culture and civilisation
Stobart, J. C. (John Clarke)
Rome -- Civilization; Rome -- History
The only two considerable relics of Republican architecture are the
Tabularium and the Temple of Fortuna Virilis, both dating from the
period of Sulla. In that period, when Rome had just discovered Greek
culture, when the armies of Sulla and Lucullus came home laden with
Greek spoil, there was a temporary outburst of artistic activity at
Rome. It was, however, entirely in the hands of foreign artists.
In 143, Metellus, the victor of Macedonia, built the first marble
temple at Rome in the Campus Martius. Sulla himself carried off the
huge columns of the unfinished temple of Olympian Zeus at Athens to
adorn the Roman Capitol. The Cyprian Greek Hermodorus was employed
to construct temples and docks. The Romans had indeed their native
principles of building, which from a merely constructive point of view
were in advance of anything that the Greeks had evolved for themselves.
Greek architecture of the best period had been almost exclusively
devoted to the service of religion. Their efforts were almost limited
to the perfecting of the Doric and Ionic temple, and when they had to
build a secular building like the gate of the Acropolis, they were
still content with a mere adaptation of Doric temple to their new
purpose. Their building material was marble, and with their peculiar
artistic discretion the Greeks saw that marble was at its best in
the austere lines of pediment and columns. But the Romans, before
they imported marble, had made a beginning with brick and cement,
which require quite different methods of architecture. In prehistoric
“Servian” days they had discovered or learnt from the Etruscans
the use of the vault and arch, at any rate for tunnels, but it is
characteristic of their artistic poverty that they had made little
architectural use of these important principles. The triumphal arch
seems to have been a Roman invention, and several triumphal arches were
built in republican days, but unfortunately we have no information as
to their style. The Sullan revival of art was purely an importation of
foreign models. In the Temple of Fortuna Virilis built in 78 B.C. we
see how the Romans used their imported architecture.[31] The graceful
Ionic columns support nothing. They are used for ornament as the West
African native uses his European clothes. The Greeks had indeed used
engaged columns, as in the Erechtheum, to complete the design where
there was no space for a free colonnade, but the Romans built them into
their walls for the sake of ornament. This is typical. Culture was to
the Greeks a vital part of their existence, to the Romans it was an
embellishment.
But Roman architecture, having made this effort, had relapsed again
until the days of the Cæsars. There was more destroying than building
in the evil days of Cicero’s prime. The selfish plutocrats were too
busy building their villas to give a thought to the gods’ or the city’s
adornment.
Public-domain text, read in full here on John Shaqi.
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