The Grandeur That Was Rome: a survey of Roman culture and civilisationStobart, J. C. (John Clarke)
History
The Grandeur That Was Rome: a survey of Roman culture and civilisation
Stobart, J. C. (John Clarke)
Rome -- Civilization; Rome -- History
In these words, pregnant and terse as ever, Tacitus gives us a key to
the true reading of imperial Roman history. “It is easy,” he says,
“to discount the self-interest of the historian and to reject his
eulogies, but his malicious criticisms are greedily swallowed. For
flattery bears the odious stamp of servility, while malignity wears
the false disguise of independence.” Thus out of his own mouth the
foremost historian of the early Empire gives us the right to read the
literary sources in a spirit favourable to the emperors. So when the
historians describe Tiberius as a bloodthirsty tyrant who hid himself
away in the island of Capri, and there (at the age of seventy!) began
to devote himself to disgusting orgies of lust and cruelty, we shall
prefer to reject that story as absurd, and to regard Tiberius as a
proud and reserved aristocrat who found it impossible to tolerate the
mixture of adulation and spite with which he was treated by the other
nobles of Rome, and withdrew from the capital in order to escape it.
When Gaius (Caligula) is represented as a lunatic, we merely understand
that he was unpopular; when we are told that he made his horse a
consul, we recognise a satirist’s humorous exaggeration of his neglect
of some noble family’s claims to that office; when we read that he
set his army to collect oyster shells on the coast of Normandy, we
only conclude that his surrender of the projected invasion of Britain
was a subject of ridicule in Rome. Claudius is described as a stupid
and clumsy pedant, deformed and inarticulate: in reality he seems to
have been a scholar with a leaning towards antiquarian and republican
traditions. Even in the case of Nero, the savage ferocity with which he
is charged is chiefly due to the fact that his hand lay heavy on the
senators. He was undoubtedly popular with the commons, and his real
offence was to possess more refinement and culture than was considered
proper in a Roman noble, to be too fond of Greeks and art and music.
Nevertheless it is impossible to write history in whitewash, and the
only safe method of dealing with a period like this is to ignore the
personalities on the throne of the Cæsars, and to attempt a broad
treatment of the general tendency of these times.
Public-domain text, read in full here on John Shaqi.
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