The Grandeur That Was Rome: a survey of Roman culture and civilisationStobart, J. C. (John Clarke)
History
The Grandeur That Was Rome: a survey of Roman culture and civilisation
Stobart, J. C. (John Clarke)
Rome -- Civilization; Rome -- History
The famous story of his death is told with a little restraint, and
the latter part of it is not incredible. When the first bad news came
of the revolt of Vindex with the legions of Gaul, Nero summoned his
privy council and held a hasty consultation with them about the crisis,
but spent the rest of the day in showing them a hydraulic organ and
discoursing upon the intricacies of the invention. Then he composed a
skit upon the rebels, and prepared a pathetic speech which was to make
the mutineers return to his allegiance in tears. He sat down to compose
the songs of triumph which should be sung upon that occasion. In
preparing his expedition his first thought was to provide carriages for
the band: he equipped all his concubines as Amazons with battle-axes
and bucklers. But when he heard of the revolt of the Spanish army under
Galba also, he fell into a temper and tore the dispatch to pieces. He
broke his precious cups and put up a dose of Locusta’s poison in a
golden box. He ordered the prætorian guard to rally round him, but they
only quoted Vergil to him:
“Is death indeed so hard a lot?”
At midnight he awoke and found that the guards had deserted his
bedside. Even his bedding and his golden box of poison had been stolen.
So he stumbled out into the night as if he would throw himself into the
Tiber. But a few faithful slaves came to him and a freedman offered
him his country villa for a refuge, and Nero rode thither in a shabby
disguise. An earthquake shook the ground and a flash of lightning
darted in his face; he heard the soldiers in the prætorian camp
shouting for Galba. Skulking among bushes and briers, he crawled on all
fours to a wretched outhouse of his freedman’s villa. There he ordered
them to dig a grave and line it with scraps of marble. The water and
wood for his obsequies were prepared, while he uttered the famous words
“_qualis artifex pereo!_” either meaning “What an artist the world is
losing!” or (more probably) “What an artistic death!” A dispatch came
to announce that he had been declared a public enemy by the senate, and
was to be punished according to the ancient custom of the Romans. He
asked what sort of death that meant, and was informed that the criminal
was generally stripped naked and scourged to death with his head in a
pillory. Then he took up daggers and tried the points, but still he
dared not die. He begged one of his attendants to give him the example.
At last he heard the horsemen coming, quoted a line of the _Iliad_ very
appropriately, and drove, with the help of his secretary, a dagger into
his throat.
Public-domain text, read in full here on John Shaqi.
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