At the age of fifty Ennius set himself to relate the whole of Roman history in eighteen books of epic verse. No one claims for him the rank of a great poet, but he shaped for Vergil’s hand that magnificent instrument the Latin hexameter, and many scholars believe that he vitally affected the literary language of Rome by preserving the terminal inflexions which were dropping out of current speech. All the fragments of Ennius that have survived, though often rough and ugly, yet possess a massive dignity of their own, and often a most solemn majesty of cadence, as in the lines with which I have headed this chapter. But here again we must notice that the rugged father of Latin poetry had already taken over the scepticism of the declining religion of Greece. For many generations now Roman religion had been losing its native character and becoming cosmopolitan and denationalised. As we have seen, its genuinely native elements were mainly rural and now the Roman was a townsman with a townsman’s light scepticism and craving for novelty and sensation. Jupiter and Minerva and the other high gods had from the first been largely foreigners; at any rate few discernibly Latin ideas appear in the cults or personalities. As early as 204 B.C., that is, in the throes of the Great Punic War, the worship of Cybele--the Great Mother of Phrygian ritual--had been introduced along with its begging eunuch priests. Apollo with appropriate athletic games had arrived a few years earlier. New gods multiplied, old gods became hellenised, Roman priesthoods became more and more political, being simply obtained by popular election like any other public office, or crack dining-clubs for the aristocracy. As the gods multiplied faith declined. In 186 B.C. the Senate discovered a whole system of secret nocturnal orgies which under the name of Bacchic mysteries had spread with extraordinary rapidity throughout Italy. Ten thousand men were arrested and condemned, mostly to death, but the associations flourished unchecked.