The Grateful Dead: The History of a Folk StoryGerould, Gordon Hall
General
The Grateful Dead: The History of a Folk Story
Gerould, Gordon Hall
Dead -- Folklore; Folk literature -- Themes, motives; Grateful dead (Tale)
Basque II. is like Gaelic [144] in general outline. Juan Dekos is sent
out with a ship to complete his education. He pays all that he gets for
his cargo to ransom and bury the corpse of a debtor. His father is not
pleased, but sends him out again. This time he uses all his money to
ransom eight slaves, seven of whom he sends to their homes, but carries
one home with him. His father is still more angry, and casts him off;
but Juan has a portrait of Marie Louise painted for the figure-head of
his ship, and sets off with her for her own land. The lame mate pitches
him overboard, and carries the lady to her father's dwelling-place,
where he is to marry her after a year and a day. Juan is saved by an
angel and placed on a rock. On Marie's wedding-day the angel returns,
and offers to take the hero to his bride for half of the child that
will be born. The angel was the soul of the dead man. So Juan arrives
in time, is recognized by a handkerchief, and tells his story, which
causes the burning of the mate. After a year the angel comes for his
half of the babe, but when Juan starts to divide it stays his hand.
Webster, the collector of this tale, noticed [145] its similarity
to Gaelic, especially in the name of the hero, and surmised that
the Basques must have borrowed it from the Celts in some way. The
theory is tenable, though a comparison of the two variants shows
that the Basques must either have borrowed it in a form considerably
different from the Highland tale as we have it, or have altered the
details largely. The first part of the story is entirely different;
the hero goes on two voyages in Basque II., one only in Gaelic;
the lady goes with the hero immediately in the former, he returns
for her in the latter; the treachery and the signs are different;
the ghost appears as an angel instead of a human being in Basque;
and the promised division concerns the wife and three sons in Gaelic,
a single babe in Basque. Thus, apart from the title, there is little
to substantiate Webster's theory. The differences are certainly more
important than those between any two versions of Jean de Calais. In
some particulars, like the voyages and the portrait on the ship,
Basque is more nearly normal, while in others, like the account of
the treachery and the appearance of the ghost, Gaelic conforms to
the ordinary form. Certainly Basque II. is to be regarded as a fairly
close relative of Lithuanian II. and Jean de Calais.
Public-domain text, read in full here on John Shaqi.
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