The Grateful Dead: The History of a Folk StoryGerould, Gordon Hall
General
The Grateful Dead: The History of a Folk Story
Gerould, Gordon Hall
Dead -- Folklore; Folk literature -- Themes, motives; Grateful dead (Tale)
The reason for the existence of the compounds just mentioned is
not far to seek. With The Skilful Companions [181] there is a ready
point of contact in the hero's need for aid in the accomplishment of
his quest, another in the circumstance that three or more companions
set out together with a common end in view, and still another in the
fact that a maiden is rescued by them. To The Lady and the Monster,
at least in those variants where The Grateful Dead appears, The Water
of Life has the necessary approach in the role of the lady herself. As
for The Thankful Beasts, their appearance at opportune moments when
the heroes of folk-tales need assistance is too frequent to require
justification in any particular case. It is with such combinations
as these, intricate and involved, that many variants of The Grateful
Dead are found joined. Sometimes one element, sometimes another,
predominates, so that the threads which unite them are hopelessly
snarled. Sometimes The Water of Life is lost in the entanglement,
or only appears as a distorted trait, while The Skilful Companions
or The Lady and the Monster come out more clearly. Through this
labyrinth we must painfully take our way, exercising what caution
we can. The present guide recognizes the danger of losing the road
and does not pretend to more than a rough and ready knowledge of the
wilderness. Accordingly, he undertakes only to conduct the curious
wayfarer by the least difficult of the paths that traverse it.
Let us first consider the tales into which The Poison Maiden and The
Ransomed Woman do not enter, which have only The Grateful Dead + The
Water of Life or some kindred theme. These include Maltese, Polish,
Hungarian I., Rumanian II., Straparola II., Venetian, Sicilian,
Treu Heinrich, and Harz II. They are as widely different in their
characteristics as in their sources.
Maltese has the following form: The three sons of a king successively
go out in search of a bird, the song of which will make their father
young. The elder two lose their all by gambling with a maiden in a
palace by the way. The youngest brother pays four thousand pounds
sterling to bury properly a man who has been dead eight months. He
is warned against the maiden by a ghost, and so wins all from her (by
using his own cards), thus rescuing his brothers. When he comes to the
castle, the ghost again appears, and tells him to take the bird that
he finds in a dirty cage. On the way back he is thrown overboard from
the steamboat by his brothers, but is saved by the ghost, who appears
in the form of a rock with a tree on it. He is rescued by another
steamer, and comes home in rags, where he is recognized by the bird,
which has hitherto refused to sing. The brothers are banished.
Public-domain text, read in full here on John Shaqi.
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