Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
“Bravo! I will tell you something. Lady Sensible is a great artist,
none greater in her way, but if she would buy Christmas presents for
cross singing teachers and halfway cry when she thought cross teachers
had bought nothing for her, if she would be unbecomingly rosy when she
took tea with a certain old actor and jump right up and down and say,
‘Oh—Oh!’ when she saw Collin’s latest portrait, also sitting up half the
night to read that rascal Caleb’s latest novel, although she knows it
to be worthless—I think Lady Sensible could play lullabies that would
give women the patience of eternity and girls the thrill of expectant
motherhood and inspire men on to the heights. Don’t tell her I say this
for I have already tried to argue it out with her, but she fights me
back with her desiccated logic! But, Thurley, do you keep your childish
appreciation of things and that adorable intuition—then all the world
will go a-hunting laurel wreaths for you!”
He bent and kissed her forehead, pushing her away from him and
concluding, “Off with you—I warrant you haven’t opened a French book
to-day. And you have actually made me sentimental! But when you are both
a real artist and a real girl, I shall tell you a wonderful secret—now,
am I such a tyrant?” He waved his hand at her until she unwillingly
disappeared.
Outside the door Thurley began to smile and the secretary and
stenographer caught its contagion and smiled at each other as Thurley
passed ahead. The elevator man and the doorman both felt unquestionably
chirked up as she gazed at them. Every regret or loneliness or jealous
thought concerning the Corners had vanished. She felt sacred, set apart
from every one and she would only share the reason with a lapis lazuli
idol with a painted gold mouth and very twinkling diamond eyes!
* * * * *
Thurley’s visit to the Hotel Particular, Lissa’s box of a place, left
her with the belief there never was any end to surprises. She had worn a
white silk dress, falling straight from the shoulders, flattering herself
that for a dinner with a middle-aged singing teacher she was properly
costumed.
But when she came into the house, she saw her error. For here she
encountered elegance at home. The drawing-room had the intimate charm of
a French salon with its old ivory and dull blue brocaded hangings. The
furniture was painted peacock blue and covered with rose taffeta with a
silver sheen and a solemn, stuffed parrot on a gaily painted stand looked
at her in cynical amusement.
All about the room, which was oppressively perfumed as well, were
numerous photographs of Lissa taken at various ages and of handsome men,
young, old, middle-aged and all of them autographed with superlative
sentiments to, “Lissa Dearest” or “Dear Girl Lissa” or “Adorable Madame
Dagmar”! During her moment of waiting Thurley tiptoed about to read the
inscriptions.
Public-domain text, read in full here on John Shaqi.
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