Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
The difference between the peasant and the patrician, Thurley concluded,
after restless reflection, was that the peasant cannot endure pain,
physical or mental, as well as he can stand hardships, lack of the
niceties of existence, whereas the patrician can endure anguish but he
cannot tolerate discomfort. A poorly fitting or coarse gown would prevent
Ernestine from playing her best, whereas Thurley could sing in calico,
standing on the steps of her old box-car wagon. Ernestine could “rescue”
herself from suffering, a sort of diking away of any too engulfing
emotion, whereas, if Thurley’s heart was aching or her mental state
disturbed, she would not sing—she was like a wood beastie wanting to dart
into deep forests and hide indefinitely.
Thurley had begun to long for ancestors, she admitted with a sigh; to
possess portraits of spinsters with crumbling lace fichus and slim, white
hands—Aunt so-and-so or Grandmother and Grandfather Precore! She wanted
heirlooms, some tangible evidence of a family. Winter circus quarters
with the pretended family recalled themselves to her with scant comfort.
She was so young and promising and she was to spend her life singing
for the world and not for any one loved person! There had been Dan who
wanted her to sing for just himself. Had she loved Dan as Lorraine did,
she would have been content to have it so. She would have married Dan by
now, the new house would be glowing with rosy shaded lamps, passers-by
would halt their teams to listen to Thurley singing to her husband ...
but that was not the way it was to be. If only some kind spirit with
the power to release vows and wave a wand to change things about could
do so and create such a house as Dan planned for her and yet have Bliss
Hobart be its master and Thurley its mistress—how very silly and stupid
would New York and opera seem, all these over-smart and cynical persons
with self-consciousness their dominating note and selfish egotism their
guardian angel! She would sing for her husband and work to please him.
And how simple was the big rule of life, Thurley thought, as she sat
up among the pillows, sleep the furthest from her thoughts: Love some
one and have some one love you and make everything else resultant and
interdependent! She sank back slowly—for she had promised never to marry
and in so doing it had come about that she should meet the person whom
she would have married had he been a steam-riveter! Ernestine and Europe
seemed phantoms—she was not interested. Nor was she interested in Dan and
Lorraine and their future. She was unconscious of everything except that
Bliss Hobart treated her for the most part impersonally, disappearing
without explanation although the Buddha still stayed on his desk.
Public-domain text, read in full here on John Shaqi.
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