Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
Meanwhile, Thurley went on to the dinner party remembering Sam’s audacity
with annoyance intermingled with delight. There was and always will be to
every woman, if she is honest, a rare charm in being treated as a little
girl. White-haired matrons delight in being named “girl” and being told
by some one a trifle whiter of hair and more numerous of birthdays: “My
child, what in the world are you dreaming of?” It is a harmless notion
with which every woman is endowed.
Thurley was born more or less of a woman, so that Sam’s attitude appealed
to her. But the peacock which is also in all women and the love of
domination, remnant of glorious idol worship, made her reject his halfway
offered protectorship.
It was wonderful to dress in rich fashion, to have Mark take her to some
bohemian table d’hôte—like that of the Petispas Sisters—to know she
would be the handsomest and best-dressed person there and that Lissa
was helplessly furious at Mark’s new object of adoration, yet obliged
to smile instead of snarl in Thurley’s presence. It was fun to read
letters from unknown admirers, to have schoolgirls with vast ambitions
and opinions of their abilities appeal to her, as well as embryo tenors
from small towns who only needed a gracious, sisterly hand to guide
them, and press agents out of a job who were capable of the greatest
scheme for procuring public interest that ever alarm-clocked! Thurley
was just realizing the parasites, so-called artistic, who beg, steal or
demand their living from those who really work and earn one. She was
beginning to classify the large army of restless rebel women who really
delude themselves into believing they have a mission in life, badgering
all those who simply do the work they were intended for. These women
interested Thurley. She regarded them as one views a new member of the
zoo, poking sticks at them through the bars when the guard is not alert.
She had listened to these creatures tell their woes with childish
audacity; she liked their superlative mode of expression rendering their
case hopelessly weak and insincere, she was amused by the comic opera
fashion in which they dressed or the masculine over-emphasis in costume
details. There were women of the pale, willowy type—“misunderstood”
was their slogan. There were the bold, aggressive women who despised
sentiment and who longed to prove to men that they were truly a
non-essential race, who grew so enthusiastic over what they could do for
one Thurley Precore as her advance agent, companion, secretary and so
on that Thurley fully expected them to bark or walk up the wall, as she
told Ernestine. There were women of the dreamy, neurotic type who never
mentioned mother back in Oshkosh still cooking “three squares a day” for
her houseful of boarders in order that Myrtle or Poincianna might have a
winter in New York in which to study design! Design was right—but not as
mother fancied it was!
Public-domain text, read in full here on John Shaqi.
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