Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
When Dan returned—he had been in New York—she wondered if he had heard
Thurley sing and had sent her flowers or tried to see her. As she thanked
him for her present, a violet silk sunshade, she wondered if it was a sop
to conscience. A cruel regiment of doubts threatened to defeat her loyal
resolutions. But she made no comment nor did Dan. They talked of the
summer garden, the proposed automobile trip with some other young people,
the addition to Dan’s store and the splendid way in which his business
was going.
“Don’t, for cat’s sake, take that Spooner girl with us!” Dan said
testily, as they returned to the vacation subject. “She hangs around here
all the time. What in the world do you see in her anyway?”
“Nothing, but I’m sorry for her, she’s so unhappy.”
“What’s she unhappy about? A great, big, strapping girl who ought to be
at work! She makes fudge while her mother irons her dresses, every one
says so.”
“Oh, Dan!” pleaded Lorraine.
“Ever since she’s moved here from Pike she has camped on our doorstep.
She makes me nervous with that whining voice and that giggle.” Here Dan
gave excellent imitations of each. “She rouges like a burlesque actress
and dresses her hair in curls.”
“Oh, poor Cora Spooner was terribly in love with an actor. He was in a
stock company at Pike and he did encourage her—”
“Tell that to the marines,” Dan said testily, going to the talking
machine and putting on a lively band record. “I can’t help that. I notice
it didn’t affect her appetite. Why don’t she get a job?”
“Well, there’s nothing in her line here,” Lorraine’s forehead wrinkled
anxiously. She was afraid Dan would forbid Cora’s coming to the house,
which command would be absolute. Cora Spooner brought a certain zest
into Lorraine’s existence. She was a rather handsome girl of twenty-three
or four with no intention of working for her living if it could be
otherwise arranged. Her mother, whose small pension and capital enabled
her to “get along,” was Cora’s chief bugbear. Cora was a bundle of
discontent and weird notions, trying to play the bird in the gilded cage
rôle and complain that Birge’s Corners was nothing but a prison. She
soon discovered that Lorraine’s car was good to ride about in, her food
the best to be had; it was jolly to stay in the pink spare room with the
over-drapes and crystal candlesticks instead of her own forlorn cottage.
Besides, her mother did not understand her; fancy wanting any one to be a
stenographer or school teacher when heaven only knew that Cora was born
for romance, adventure! She had a good notion to cut her hair short and
masquerade about the country as a boy,—men always had such good times.
Cora had had a half dozen beaux who always dropped her after a certain
length of time, saying she was “soft” and lazy and her mother ought to
make her work, and turning their attentions to plain-faced girls who
could cook and who had a little money in the bank!
Public-domain text, read in full here on John Shaqi.
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