Dan’s other two particular pests and Lorraine’s friends were Josie Donaldson and Hazel Mitchell. Josie Donaldson’s father was next to Dan the richest man in the village and Josie the natural and fearful result of being the only child of such a plutocrat. She was a precocious young person with the boast that she could do anything she set out to do, if she could do it her way, backed up by admiring throngs of relatives. She had framed the first dollar bill she ever earned (?) for some minor service in her father’s hardware store, had worn the patience of the newspaper editors to a thread by asking for a job as a reporter only to take a few days off, after she was hired, to give a party or write a new poem. Dan called her poems “Josie’s dope,” as they appeared from time to time in a box border with the heading, “Birge’s Corners’ Muse.” There were many familiar phrases in these poems which increased in number as time went on, but being Josie Donaldson’s, they were passed without question and editor after editor would warn his new and optimistic successor, “When that Donaldson girl comes in here for a job just tie the can on from the start. It is cheap at half the price to be rid of her. You’ll know her. She’s fat and dresses like a circus rider, carries a bolt of baby ribbon around so as to tie up any poems she may happen to write en route. She’ll cry if you correct her spelling and she was never known to get any one’s initials right in her life, not even her own family’s. Fudge ought to be her life work. She’s made love to every fellow in the burg and, when they escape, she wants to start a backbiting contest in the paper. Her pa and ma think Josie is one, two, three, all right, and they have enlarged photographs of her at every stage—from writhing on the fur rug clad in a smile to her graduating dress clasping the valedictory essay. She writes her father’s ads and I’m darned if I can tell whether he wants to run a special sale of sprinkling cans at seventy-nine cents per or whether hell’s broken loose in Hoboken! Don’t let her get across—not even for a week or you’ll have galloping brain fever.” Josie also attached herself to Lorraine, who read her poems and made her fudge galore. She told Lorraine her troubles, that a girl with brains, and particularly a girl with literary ability, was never popular with boys; they wanted silly, little wasp-waisted dolls and she was just too hurt for words—so there. Lorraine was also sorry for Josie and she let her ravage her sugar barrel and pile on to her best chaise longue to lie and pout and eat candy, trying to find a new word to rhyme with “death.”