Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
Thurley went directly home instead of keeping a luncheon engagement with
Ernestine. She wanted to spend the afternoon in remembering all he had
said. The greatness of his vision and the new standard for art had not
impressed her as much as the moment when he had taken her hands—or told
of his false love. Then Miss Clergy’s promise crossed the clearness of
her reflection, blurring it badly; Dan’s bucolic letter on her desk
marred her thoughts as well—so did the flowers from Mark, the handsome
gift book from some one else; a myriad of incidents and engagements came
to spoil the reverie. As sacred to her as the vision which had been
shared with her, Thurley kept telling herself, “I am of the vanguard ...
and I love him ... no other man can tempt me ... I love him, therefore I
can live up to his vision and help him ... for he is sadly limited. He
merely expresses what some one else must do.... I love him,” and when
the charming question hinted itself to her,—“Suppose this man of a great
vision and grave purpose, burned clean of youthful tragedy, should love
_you_—what then?”—Thurley admitted that vows were brittle things and that
if the circumstances so fell out she would not hesitate to prove the
statement.
The next morning when she was writing Hobart a note trying to express
something of all she felt towards his vision and his influence, as Dante
said of Virgil, “their guide, their master and their friend,” Lissa
dropped in for a call.
“Bliss sails at noon for England,” she informed Thurley. “Isn’t it
wonderful to be all important, war or no war? They want him to patch them
all up with patriotic art—I suppose he’ll come back an earl in spite of
himself—”
Whereat Thurley felt as heartbroken as a girl deserted by her bona fide
lover, as she tried to chat pleasantly and not betray her disappointment.
She entered again the squirrel cage of doubts and subterfuges until she
felt as absurd at having seriously considered being one of the vanguard
as one who admits having won a husband through a matrimonial agency.
Lissa’s way was quite comfortable—uneasy lies a head which does not wear
a becoming hat was the greatest depth of her philosophy!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account