Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
“Polly’s pretending her opera has been a success, I do believe,” a more
practical guest whispered to Thurley. “She’s determined to burn her
money up as fast as she can; she’s loaned us all ten dollars—”
Thurley found Polly quite determined to pay no heed to her aunt’s letter.
“Why should I remember I come of gentle people?” she asked, her brown
eyes sparkling naughtily. “I’d rather have one or two glorious parties,
treat myself to all the music I want for a season than to go snailing
back to Painted Post and live in a cottage completely surrounded
by neighbors. I’ve run wild too long, Thurley dear—don’t look so
disappointed. Why, you beautiful, lovely thing, what right have you to
show me the error of my ways, you with a king’s ransom on your fingers
this minute? Yet, Thurley, when I look at you and summon my Scotch second
sight to lend me wisdom, you seem fey to me, fated as the Scotch know the
world. Shall I tell you your _possibilities_?”
“It’s the claret,” Thurley insisted. She did not want to talk about
herself because she did not seem a struggling, interesting human being
like the rest.
“No, it’s not claret but second sight. Bliss knows I have second sight;
he’s often asked me for opinions—for everything but my operas,” she added
a trifle bitterly. “Now you do seem fey, as if you ought to become a
rosy-cheeked matron, the sort that has a big, brick house just packed
with young people who all confide in you, and a nice, gentle sort of
relatives, linen closets with lavender bags between the snowy piles, jam
closets, rooms with old, soft rugs and mellowed furniture, all kinds of
books and pictures and nothing so wonderful that art dealers would ever
employ burglars to borrow. Just the kind of things that years afterwards
would cause your children to say, ‘Oh, that was mother’s—I shall never
give it up,’ or ‘Here is her shawl. How she laughed at herself for
huddling so eternally in it! Let’s keep it in the cedar chest she had as
a bride, she’d like to have it so, I’m certain!’ You understand, Thurley
dear, the lovely common things inspired by some one not common! There,
that’s quite as smart as Caleb himself could have said it.”
Forgetting her errand and Hortense, Thurley repeated, “It’s the claret,
Polly—and you’re quite mad....”
Public-domain text, read in full here on John Shaqi.
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