Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
Hobart did invite Thurley to the family dinner party. With customary
tardiness the invitation did not reach her until the afternoon of the
day, late afternoon in fact, after a fatiguing round of “polishings
off,” as she dubbed them, and an hour with Miss Clergy during which she
had read aloud from an archaic little romance and had listened to the
ghost-lady murmur her opinions.
Very swiftly it was becoming clear to Thurley that fame, even the great,
dazzling fame of which the workaday world reads with awe, merely meant
one had a different standard of values; that all emotions such as joy,
sorrow, anger, renunciation, cowardice, heroism and so on were relative.
Tom Jones and wife and child in Skiddeoot, Missouri, might attain as
great joy over acquiring a terrifically green-colored bungalow and
veneered mahogany to decorate the parlor, while Mrs. Tom was to have a
woman to wash, and Mr. Tom membership in the Skiddeoot bowling club—quite
as much joy as Ernestine Christian when she stayed at Buckingham Palace
an honored guest and had on her dressing table the miniatures of the
young princes and a certain jewelled box given her by the king of Italy.
The lives of these luminaries, when one came to know them on equal
footing, were composed of a multitude of trivial details, the same as
were the Joneses’ of Skiddeoot—the proper breakfast food, annoyance of a
thunder shower, the wrong-sized-gaiters, the intense dislike of parsnips,
the fondness for Japanese prints, the staunch conviction as to when the
world was to end, the way to eat one’s melons (in Skiddeoot it would
be porridge), the best style of spring motor car (in Skiddeoot it would
be whether to have the Ford wheels red or yellow)—and so on through an
endless list of things about which physical and mental existence is
centered.
Thurley had been exceptionally spared the grind and slow advancement of
the average artist. On the other hand, she had experienced both grind and
decidedly depressing experiences during her travels in the box-car. She
was now placed, as it were, in the front ranks of the artistic world and
allowed to gaze about, investigate, presume, acquire knowledge, as much
as her own possibilities would permit. Her possibilities being above the
average, Thurley, inside of the few months in New York, had come to the
settled conviction that folks were really just folks no matter how they
were dressed, and the artists quite the same as the population of Birge’s
Corners, only in a different setting and with a different set of values.
Public-domain text, read in full here on John Shaqi.
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