Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
Yet the ooze had stimulated Thurley; she could always go slipping back to
the Corners to relive the homey things which had made her a wild rose. It
appeared to be tremendously comforting and she went a step further in
self-analysis, telling herself, as she was going up to the hotel rooms,
that the thing which made great people lapse into the ooze for tangled
up nerves and snarly frames of mind was the thing which made sarcastic,
aloof Ernestine Christian play a gypsy dance with the wild fire its
author intended it to have or gave Caleb the power to invent an entirely
new setting for the same old, “Will you love me?” or told Collin how to
forget the ingrowing chin of his subject and make it strong and masterful
still _looking like_ the ingrowing original—here, Thurley took the lesson
home for she, too, was crystallizing her personality. It gave Thurley the
ability to feel that she was Juliet in the tomb or Rosina having that
delightful music lesson with her masquerading lover, it was temperament,
psychic masquerading! There, that was a much nicer name than the ooze and
when she was famous enough she would tell Bliss Hobart so and make him
admit his clumsiness of nomenclature.
After which exhilaration came the hint of a warning—Miss Clergy’s years
of uselessness were the result of just such “psychic masquerading” fed by
revenge and disappointment. After all, was this ooze merely confined to
the great? Would they not have to yield a point and admit they had much
in common with their neighbors?
CHAPTER XIV
When she came into the apartment sitting-room, she found Polly Harris in
her shabby brown trappings and another member of the family whom Polly
had dutifully brought to call.
“It’s Sam Sparling,” Polly announced in boyish fashion. “Have you seen by
the papers he’s to open here Christmas afternoon? This is Bliss Hobart’s
prize,” waving her hand in Thurley’s direction. “Now beware of Sam
because even duchesses fall in love with him and he has trunks full of
yellowed mash notes—”
Sam interrupted by frowning at Polly and saying, “Come over here, my
dear, don’t be afraid. I’m too busy to get up a new affair before New
Year’s.”
He had the cultured, pleasant voice of a well-bred Englishman and Thurley
could picture his irresistible methods of love-making, although he was
far older than she fancied and his mouth framed by ironical furrows. He
had really white hair combed into a brisk pompadour, bright eyes like a
young pointer’s and he dressed in noticeable fashion, with a fine black
and white check suit with exaggerated flares, patent leather boots and
silk shirt and tie matching the suit in pattern. Still, it was no wonder
Sam Sparling could “get across” with _Romeo_ one day and the next week
be giving out an interview in which he was quoted as remembering the day
Disraeli said to him—!
Public-domain text, read in full here on John Shaqi.
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