Bohemianism -- Fiction; City and town life -- Fiction; Young women -- Fiction
Thurley looked up at her new friend to wonder what form the ooze took
with him. But he good-naturedly patted her cheek, saying much to her
relief:
“I see you are human and not going to ask me to recite ‘Gunga Din.’
I return the compliment by not demanding that you tear off Tosti’s
‘Good-by.’ I only ran in to welcome you to our circle and to tell you, as
senior member, a few facts about the others. They will tell you about me
fast enough—”
“Never happy unless he has a breach of promise suit waiting for him in
the morning’s mail,” promptly supplemented Polly. “Always has it rumored
he is to marry a prominent whiskey dealer’s widow—sells his mash notes
per pound to Caleb, owns a hothouse of gardenias and has them shipped all
over the map—at heart a flinty old bachelor warrior—a splendid, precious,
cross pal—a jewel of an actor who makes you laugh and cry as easily as
you breathe.”
“There is a young woman,” said Sam calmly, pointing an accusing finger,
“who will never write grand opera—never! Watch how pale she grows. But
she will do something heroic, has all the salamander qualities with none
of their viciousness. Would snatch a funeral wreath right off a door to
make a present to some one she loved, very whippy temperament, believes
that bothering over one’s soul is an emotional luxury, must have had an
antique little romance back somewhere. Where did you come from, Polly,
anyhow? Sort of neighborhood, I fancy, where the prevailing fashion was
to have your great-aunt’s deceased poodles stuffed and mounted to preside
over dark, chilly parlors.... Of course, Polly jumped the stockade and
landed among us—a forlorn child with squeaky shoes, as I remember her.
She’s as proud as Punch and stubborn as a bull terrier, so we let her
starve knowing that sometime or other she is going to bump smack into
Fame and he’ll never let go of her. But not grand opera, Polly girl.”
“I shall stay in New York,” Polly announced, fastening her coat, “and
I shall write a grand opera in which Thurley shall sing. You will all
have to beg my pardon.” Her brown eyes showed the hurt in them and Sam
Sparling began helping her with refractory buttons of her wrap.
“I’ll have my apology engraved on a gold scroll and you can use it for a
dinner gong—on the gong handle will be a bas relief of myself—gardenia
and all. So you can beat me up thrice a day.”
Thurley was laughing; she wondered if Miss Clergy had napped during the
turmoil. “Don’t go,” she begged. “Please stay a long time.”
“We can’t, we’ve a raft of calls. I always take Polly because she can
break away so neatly. I’m the sort that sits and sits, ending by halfway
swallowing my cane handle and getting nowhere in particular.”
“Will we really go to the matinée?” she asked Polly.
“Of course. I’ll call for you—and tea in Sam’s dressing room. Oh,
Thurley, you haven’t begun to realize New York as yet—not Bliss’s New
York, but your New York and mine and Sam’s, too.”
“Why do you love it so?” asked Thurley.
Public-domain text, read in full here on John Shaqi.
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