Nothing happened for full ten minutes. The picked men stood rigid by
the gun in the middle of the square; the slow match burned sleepily, a
tiny thread of smoke rising in the still air; the sunlight gleamed from
the ranks of bayonets; the vast multitude held its breath, the walls of
the jail remained blank and inscrutable.
Then a man on horseback was seen pushing his way through the crowd. He
rode directly up to the jail door, on which he rapped thrice with the
handle of his riding whip. Against the silence these taps, but gently
delivered, sounded sharp and staccato. After a moment the wicket
opened. The rider, without dismounting, handed through it a note; then,
with a superb display of the old-fashioned horsemanship, backed his
horse half the length of the square where he, too, came to rest.
"Who is he?" whispered Nan. Why she whispered she could not have told.
"Charles Doane," answered Mrs. Sherwood, in the same voice.
Another commotion down the street. Again the ranks parted and closed
again, this time to admit three carriages driven rapidly. As they came
to a stop the muskets all around the square leaped to the "present." So
disconcerting was this sudden slap and rattle of arms after the
tenseness of the last half hour, that men dodged back as though from a
blow. With admirable precision, Olney's men, obeying a series of
commands, moved forward from the gun to form a hollow square around the
carriages. Only the man with the burning slow match was left standing
by the breech.
From the carriages then descended Coleman, Truett, Talbot Ward, Smiley,
and two other men whom neither Nan nor Mrs. Sherwood recognized. Amid
the dead silence they walked directly to the jail door, Olney's Sixty
breaking the square and deploying close at their heels. A low colloquy
through the wicket now took place. At length the door swung slowly
open. The committee entered. The door swung shut after them. Again the
people waited, but now once more arose the murmur of low-toned
conversation.
LX
Public-domain text, read in full here on John Shaqi.
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