"Get a horse of Jake," he said at last. "I'll meet you--oh, at the house. We'll arrange later." He watched her rather opulent figure steal down the dim hallway. A cynical smile flashed under his moustache. He turned back to the drama before him. The buggy had disappeared; the veranda was apparently empty. "Now I wonder who will shoot who?" speculated Morrell. He stole to the first of the windows. The lower blinds were drawn, but the upper half of the window was clear. Morrell cautiously placed a stool nearby, and mounted it so he could see into the room. For several minutes he watched. Then his hand stole to his pocket. He produced a revolver. LXXVI Blinded by the light, Keith stood for a barely appreciable moment in the wrecked doorway. Sansome, startled by the crash, relaxed his efforts. Nan thrust him from her so strongly that he staggered back. Keith's vision cleared. He appreciated the meaning of the tableau, uttered a choked growl, and advanced. Immediately Sansome drew and presented his weapon. He was shocked far toward sobriety, but the residue of the whiskey fumes in combination with a sudden sick and guilty panic imbued him with a sort of desperation. Sansome was a bold and dashing villain only as long as things came his way. His amours had always been of the safe rather than the wildly adventurous sort. Sansome had no morals; but being found out produced effects so closely resembling those of conscience that they could not be distinguished. In the chaotic collapse of this heroic episode he managed to cling to but one thing. That was Morrell's often reiterated warning: "Don't let Keith get his hands on you!" At the sight of his levelled weapon, Nan, who was nearest, uttered a stifled cry and made as though to throw herself on him. "Stop!" commanded Keith, without looking toward her. But so quietly authoritative was his voice and manner that in spite of herself her impulse was checked. She remained rigid. Keith advanced steadily on Sansome, his hands clenched at his side, his eye's fixed frowningly and contemptuously on those of the other man. The pistol barrel was held on his breast. Sansome fully intended to shoot, but found himself unable to pull the trigger. This is a condition every rifleman knows well by experience; he calls it being "frozen on the bull's eye," when, the alignment perfect, his rifle steady as a rock, he nevertheless cannot transmit just the little nerve power necessary to crook the forefinger. Three times Sansome sent the message to his trigger finger; three times the impulse died before it had compassed the distance between his brain and his hand. This was partly because his correlations had been weakened by the drink; partly because his fuddled mind was divided between fear, guilt, despair, and a rage at himself for having got into such a mess; but principally because he was hypnotically dominated by the other man's stronger personality.