They danced. Mrs. Sherwood, like most people who have command enough of
their muscles to be able to keep them in graceful repose, danced
marvellously well. When she stopped after a single turn of the room,
Keith expostulated vigorously.
"You are a perfect partner," he told her.
"Take me in here and get me a sherbet," she commanded, without replying
to his protests. "That's good," she said, when she had tasted it. "Now
sit down and listen to me. You are making a perfect spectacle of
yourself. Don't you know it?"
Keith stiffened to an extreme formality.
"I beg your pardon!" said he freezingly.
"That may be your personal individual right"--went on Mrs. Sherwood's
low, rich voice evenly. She was not even looking at him, but rather
idly toward the open door into the ballroom. Her fan swung from one
finger; every line of her body was relaxed. She might have been tossing
him ordinary commonplaces from the surface of a detached mind--"making
a spectacle of yourself," she explained; "but you're making a perfect
spectacle of your wife as well--and in public. That is not your right
at all."
Keith sprang to his feet, furious.
"You are meddling with what is really my own business, madam," said he.
For the first time she looked up at him, dearly and steadily. In the
eyes.
"Very well. That is true. Stop a moment and think. Are you attending to
your business yourself, even decently? Yes, I understand; you are angry
with me. If I were a man, you would challenge me to a duel and all that
sort of thing." She smiled indifferently. "Let's take that for granted
and get on. Sweep it aside. You are man enough to do it, or I mistake
you greatly. Look down into yourself for even one second. Are you
playing fair all around? _Aren't you a little ashamed?_"
She held him with, her clear, level gaze. His own did not fall before
it, and his head went back, but slowly his face and neck turned red.
Thus they stared at each other for a full half minute, she smiling
slightly, perfectly cool; he seething with a suppressed emotion of some
sort. Then she turned indolently away.
"You're too fine to do things like that," she said, with a new softness
in her voice; "we all have too much faith in you. The common tricks
would not appeal to you, except in idleness; is it not so?"
She smiled up at him, a little sidewise. Keith caught his breath. For a
fleeting instant this extraordinary woman deigned to exert her feminine
charms for the first time the coquette looked from her eyes; for the
first time he saw mysteriously deep in her veiled nature a depth of
possibility, of rich possibility--he could not grasp it--it was gone.
But in spite of himself his pulses leaped like a flame. But now she was
gazing again at the ballroom door, cool, indolent, aloof,
unapproachable. Yet just at that instant, somehow, the other woman
looked shallow, superficial, cold. His glance fell on Mrs. Morrell
still sitting where he had left her. Something was wrong with her
effect----
Public-domain text, read in full here on John Shaqi.
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